The Choralosophy Podcast has been at the epicenter of the music education conversation since 2019. The first episode that really made a splash was #18. Ripping Off the Bandaid. It seemed to draw a two sided coin of responses. Colleagues were either offended or found their instruction revolutionized for the better.
In this episode, I look back to 18 to try and find which ideas presented there are still true for me, and on which points my view has shifted or evolved. Many points made in the original episode were wildly misinterpreted and taken out of context. Other ideas have stood the test of time.
In the last five years, the conversations with colleagues have been incredibly illuminating, educational and humbling for me. It has forced me to consider the difference between circumstance and pedagogy. What is the “best” pedagogy for building advanced, independent, fluent musicians in the choral or instrumental classroom? Are there any right and wrong answers?
Short answer: YES. There are right and wrong answers. We know more about the way the brain acquires language fluency than we did when many of our music education methods books were written, and definitely more than when many of industry norms were formed. Nuanced answer: kids, people and circumstances are INCREDIBLY complex. We don’t teach prototypical humans in labs.
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
Tune in, and have your thinking stimulated and challenged. Then, weigh in yourself on Facebook in the Choralosophers group or over on choralosophy.substack.com.
For future rehearsal clips, find me on TikTok, Insta and FB!
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
Choralosophy Book Club is back with a discussion of the book I am currently reading. “The Anxious Generation” by Jonathan Haidt (author of “The Coddling of the American Mind” and “The Righteous Mind”) which is #1 on NY Times Best Seller List
This book has powerful insights and implications for teachers in addition to parents. I, of course, have my own thoughts related to how the advent of “the phone based childhood” as Dr. Haidt calls it, has impacted my own children. But in this episode, I will try to keep the focus on how this book can help teachers truly “meet students where they are.”
I see a lot of posts from colleagues who are very hard on themselves for what seems to be declining student motivation, low levels of participation and other negative and noticeable trends. Of course, the teacher does hold a power to motivate for good or ill, but we can’t do it for them. I highly recommend this episode as an introduction to this cutting edge research and analysis. There are skeptics of course, which we will discuss as well.
From the summary of the book: After more than a decade of stability or improvement, the mental health of adolescents plunged in the early 2010s. Rates of depression, anxiety, self-harm, and suicide rose sharply, more than doubling on many measures. Why?
In The Anxious Generation, social psychologist Jonathan Haidt lays out the facts about the epidemic of teen mental illness that hit many countries at the same time. He then investigates the nature of childhood, including why children need play and independent exploration to mature into competent, thriving adults. Haidt shows how the “play-based childhood” began to decline in the 1980s, and how it was finally wiped out by the arrival of the “phone-based childhood” in the early 2010s. He presents more than a dozen mechanisms by which this “great rewiring of childhood” has interfered with children’s social and neurological development, covering everything from sleep deprivation to attention fragmentation, addiction, loneliness, social contagion, social comparison, and perfectionism. He explains why social media damages girls more than boys and why boys have been withdrawing from the real world into the virtual world, with disastrous consequences for themselves, their families, and their societies.
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
Tune in, and have your thinking stimulated and challenged. Then, weigh in yourself on Facebook in the Choralosophers group or over on choralosophy.substack.com.
For future rehearsal clips, find me on TikTok, Insta and FB!
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
Is it possible that we are all grasping at the wrong straws trying to reach program growth in an equitable way? Bruce Rockwell believes we need a transformative revolution in choral music. One where we turn our collective focus toward the Elementary School Choir.
Bruce is a high school choral educator who teaches in a district in which a very small percentage of elementary students are presented with a choral music experience. Across the country, we have a vast inequity in access to choral music making opportunities at the Elementary level. Not only disparities in access to high level choral experiences, but also access to basic, school choirs.
When we don’t have choral students, we don’t have choral parents. When we don’t have choral parents, we don’t have administrators that see it as important. This is the danger of not tending the roots. We have developed a top down perspective on what we are concerned with.
We are concerned with equity and issues of representation at the top. “Who makes all state choir?” “Who’s music is being programmed?” These are fine things to ask. But, this like noticing blemishes on a leaf and continuously pruning without bothering to check the tree under the earth.
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
We also discuss the problem of our professional organizations being run by mostly Collegiate directors. These directors may be very supportive of elementary music, but may be separated from the consequences. You can have an inequitable system, and still have it look just fine at the top.
Tune in, and have your thinking stimulated and challenged. Then, weigh in yourself on Facebook in the Choralosophers group or over on choralosophy.substack.com.
For future rehearsal clips, find me on TikTok, Insta and FB!
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Bruce Rockwell is the choir director at College Park High School in Pleasant Hill, California. He has taught choir, piano and guitar at College Park for 15 years, instrumental music at the San Francisco Waldorf schools, and theory and musicianship at the San Francisco Conservatory of Music’s pre-college division. Mr. Rockwell received is MM in Composition from the San Francisco Conservatory of Music, and his BA in Music from the University of California at Santa Cruz.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
Tim’s article “How to Ruin an Alto” was published in 1982-83 in The Choral Journal and in MENC’s publication. It included some strong language like “there are no good reasons for allowing women to sing tenor.”
In this episode Timothy Mount, a Professor Emeritus at Stony Brook University, joins me to discuss his very strongly worded article from the early 1980’s and in what ways he still agrees and disagrees with himself forty years ago. We discuss the thorny issue of balancing the choir’s need for balance and timbre preferences against the vocal needs of the individual singer. One of the claims in Tim’s article was “forcing the female chest voice upwards is dangerous.” In the episode, we discuss this belief and whether or not it is out of date in 2024.
We also discuss the ways gendered language attached to voice parts, and the norms related to these terms has changed since the article was published. Recently, Tim tried to repost this article on the ACDA Facebook page in an attempt to try and discuss some of these changes of perspective, but it was taken down. I personally disagreed with a good number of things in Tim’s article, but I give him credit for being willing to discuss publicly how his views on a variety of these topics has changed over the course of his career. We can only move forward and grow when we can be intellectually flexible.
Tune in, and have your thinking stimulated and challenged. Then, weigh in yourself on Facebook in the Choralosophers group or over on choralosophy.substack.com.
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
For future rehearsal clips, find me on TikTok, Insta and FB!
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Timothy Mount, pianist, singer, and choral conductor, is Professor Emeritus of conducting at Stony Brook University, one of the leading graduate music programs in the country. He conducted 9 commercial CD’s with professional choirs and orchestras in New York City and Moscow and 2 with the Stony Brook Camerata Singers. Tim has guest conducted many choirs and for over 10 years was conductor of the professional chorus and orchestra at the San Luis Obispo Mozart Festival. In the Spring of 2023, he guest conducted the distinguished Crane Chorus at SUNY Potsdam.
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
He published 5 articles concerning choral music and a video, Refine Your Conducting Technique, available from Santa Barbara Music. His article, Preparing for the First Rehearsal appeared in The Choral Journal in the summer of 2023. He guest conducted the renowned Crane Chorus in the spring of 2023.
A bass-baritone, Tim sang with virtually every professional choir in New York City. He is the pianist for the Trillium Chamber Players.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
The Oakwood University Aeolians have a long standing and proud tradition. Over the last few years, they shot to international fame. Jeremy Jordan is tasked with keeping the flame alive.
Ever since Jason Ferdinand moved from Oakwood, the choir world started to wonder what was next for the Aeolians. After their 2019 National ACDA performance, they were thrust into the conversations about the “BEST” collegiate choirs in the world. I started to wonder who the next director would be and what kind of pressure might be attached.
Enter Jeremy Sovoy Jordan, an Oakwood Alumn, composer, conductor and mutli-faceted musician who knows, loves and appreciates the history and tradition of this renowned ensemble. In this conversation Jeremy and I discuss what it has been like to take over the group and his dreams for the future. We also discuss ideas about programming in terms of repertoire, as well as philosophies related to creating an ensemble cohesion and culture.
Tune in, and have your thinking stimulated and challenged. Then, weigh in yourself on Facebook in the Choralosophers group or over on choralosophy.substack.com.
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
For future rehearsal clips, find me on TikTok, Insta and FB!
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Jeremy Sovoy Jordan – A native of Huntsville, AL, Jeremy Sovoy Jordan attended Oakwood University where he studied vocal performance and pedagogy and was a member of the Aeolians, under the direction of Jason Max Ferdinand. In 2017 along with his brother Justin, Jordan was inducted into the North Alabama Boys & Girls Club Hall of Fame. In 2013, he accepted the position of Director of Music and Choral Department at Miami Union Academy (MUA), teaching grades 6th-12th.
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
MUA is a historically black private academy that has been in existence since 1917. The high school choir enjoyed much success under the direction of Jordan, being participants in the 2018 Music for All National Choir Festival. They’ve also had the privilege of performing at the historic Ebenezer Baptist Church in Atlanta, GA. Under his leadership, the MUA Choral Department initiated an annual social justice concert to raise awareness about the injustices our students see in their communities and the world at large. Jeremy also serves as Conductor and Composer-in-Redsidence for the New Canon Chamber Collective Orchestra whose goal and purpose are to promote new and existing compositions by Black, Indigenous, and People of Color(BIPOC) composers. Jordan is currently the Director of Choral Activities and conductor of the Aeolians of Oakwood University.
Find Justin on Social Media!
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
IG – oakwoodaeolians
FB – The Aeolians
TikTok – TheAeoliansofOU
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
Odell’s presentation was discussed in a recent Choral Journal article, but not named. This is his side of the story. Find more blogs at Choralosophy.Substack.com
In April of 2023, I was fortunate to present “An Unconventional Approach to the Urban Chorus Classroom” at the NAfME Eastern Division Conference, which was held in Rochester, New York. The objective of my presentation is that participants will be able to recognize their own challenges in the urban choral setting and combat them by implementing unconventional or modified strategies to foster music literacy growth and success in their programs.
My presentation speaks on today’s myths and barriers in urban education related to literacy in music education. I wholeheartedly believe in the mantra that is presented on Choralosophy. Namely, that “literacy is equity.” I highlight issues new choral directors may experience starting in the urban chorus classroom. Notably, I offer suggestions and pedagogical tips to bring success to their programs. The goal is to highlight music literacy “as a whole” and encourage teachers to give all students access to music literacy instruction. The unconventional part of the presentation speaks about the various routes to engage students in the classical style of choral music if they are unfamiliar with it. It speaks on unconventionality as a jumpstart to the main goal, music literacy. In this manner, we begin to debunk myths and embrace diversity for all learners.
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
While presenting on this topic, several questions were raised during my presentation, and I answered them as they came in instead of waiting until the end of my session. The main reason I decided to take questions throughout my presentation was due to the high level of engagement and passion from teachers from the start. Teachers were anxious and wanted an understanding of every step within the process in which I have successfully gotten students in the urban setting to learn and grow as musically literate musicians. I took questions as my objective for the presentation was being fulfilled through the participants’ inquisitiveness.
One particular educator raised several questions about my presentation. This person was concerned that my presentation was too focused on the reading of musical notation and believed teaching music literacy was a white-washed concept. I responded to each question asked, but I did pose a few questions for him. A few questions I asked him:
1. If you can read music, why wouldn’t you want your students to learn to read music?
2. If you were accepted into a music school, you were taught how to read music and navigate a score, so why shouldn’t we teach it?
3. Should we stop teaching minority students how to read in elementary school? Is literacy in the general education curriculum fine?
4. Do you feel the issue with getting all students to read music based on resources, or is it a teacher (pedagogy) problem?
5. Does the all-state audition rubric in your state only have sight reading as a criterion? How many points is it worth? I have never seen a state rubric anywhere that requires a perfect sight-reading score for students to earn a spot in the all-state choir. Please direct me to this rubric.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
I alluded to the idea that it is not equitable for minority learners not to learn how to read music. The clinician eventually ran out of questions and agreed to talk after my session. I connected with this person, and we agreed to disagree, and I was confident in a clear path to a resolution.
At any rate, I was alarmed to see the February 2024 issue of Choral Journal online, which featured an article titled “A Skills-First Approach to the All-State Choir Selection Process,” by Dr. Marshaun Hymon. (Who appeared on Choralosophy to discuss it in Episode 184.) The title grabbed my attention, so I began reading the article. After reading the first paragraph, I quickly identified the author before I jumped to conclusions. After discovering who the author was, I knew the article was about my presentation and my philosophy of music education.
Receive 10% Discount on your orders at graphitepublishing.com. Here you will find the worksocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
Notably, “A Skills-First Approach to the All-State Choir Selection Process” is a passable title with fair-to-middle supporting details. The article describes a skills-first approach to all-state choir selection as being broader than sight-reading only. In the author’s redefining attempt, he explicitly states what is already the standard, in which he brings up expressive singing, feeling the rhythm, internalizing the beat, and producing a quality tone. Are these the criteria on the rubric for all state auditions already? Have you ever seen an all-state rubric with sight reading as the only criterion? If this is the case, I agree with the author and everyone who has advocated for removing sight-reading. This makes the supporting points for removing sight-reading frivolous and futile. In addition, I have seen students make it into the all-state choir with less-than-perfect sight-reading scores, so this explains why the skills-first approach is already beyond just sight-reading. If a kid can flawlessly sight-read but bombs the solo audition piece, they will not make it into the all-state choir. Is sight-reading the only reason certain students are not making it into all-state choirs? People arguing for the removal of sight-reading are making a case that it’s a Eurocentric thing, and I want a better understanding as we should try to find a clear path to resolution. My biggest question would be, “Why do we bring up Eurocentrism when it comes to reading music only? Do we consider common core curriculum literacy Eurocentric? I’ll let you answer the question; however, we strongly encourage our children and students to read well. If they can’t read well, we see the reading coaches and reading interventionists pulling kids out of class to teach them how to read. As parents, we even read stories to them before bed, we may participate in summer reaching challenges at the library, and we reinforce reading after school by documenting reading logs, etc.
A popular rationalization brought up by some educators is the lack of resources and how students cannot learn and develop literacy skills. I repeat it often and remind everyone that it is a pedagogy issue, not a resource issue. I remember a former teacher in Illinois who talked about teaching students to read music from his hand as his five fingers represented the five lines, and spaces between the fingers represented the four spaces. I often heard this process quoted by a retired choral director in Norfolk, Virginia. In other words, resources were never a hindrance for these teachers, and they ensured their students learned how to read music. I did not share that to say it is an ideal way to teach but to share that where there is a will (good pedagogy, too), there is a way.
The last point I want to bring forth from the article is learning music before an audition. The author expresses that not all districts can hire vocal teachers or accompanists to help students learn the music before arriving for the all-state audition because of poor funding. The point made here was the most significant substandard point I read throughout the article. Teachers should help students learn the music before all-state; once students’ reading skills develop, they can teach themselves the music, and vocal tracks can be created by “someone” or a music program.
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
The entire article is about Eurocentrism, poor funding, no resources, and sight-reading, but never mentions anything about quality teaching, professional development, or the need for competent teachers with solid choral/vocal pedagogy. Many teachers struggle to teach the skill, which is the bottom line. When we begin here, we will talk less about sight-reading and more about professional development for teachers who do not have the skills to chunk, scaffold, and create a space where critical thinkers consistently engage in higher-order thinking skills and are in the work zone of proximal development.
“What are music educators bickering about? What are we really saying? Don’t we all agree?” I will not dare attempt to be a spokesperson for all. Still, I am finding more and more that several music educators agree, and the various perspectives on music literacy have caused philosophical bickering. What does music literacy mean? Let us separate the compound word “Music Literacy” and define it. Oxford Dictionary defines music as “the art or science of combining vocal or instrumental sounds to produce beauty of form, harmony, melody, rhythm, expressive content, etc. “Literacy is the quality, condition, or state of being literate; the ability to read and write.” I separated “Music Literacy” as we have dichotomized the two and inadvertently created a national music teacher contest/poll. Interestingly, once we filter through all the perspectives, we quickly realize that we are all on the same page, which ultimately means we are all on the same team. Nobody said we should only read music, and nobody said we should only learn by rote. The issue is creating unspoken polls, and folks are subconsciously voting for one or the other. We must be mindful that both the aural and visual components of music education work concurrently. The common goal is to make the music-making experience a joy for our students and create lifelong patrons of the arts.
If you think Literacy is Equity, you can wear it!
My music career has been rewarding, and the most rewarding part has been seeing students grow as musicians, singers, and people. I find the most joy in seeing students mature over their time in my program. My passion has been urban education, primarily in settings with families with low socio-economic status. I have discovered that the most talented, resilient learners are in this setting. We must teach literacy to students in this setting. Nevertheless, as we all may agree to disagree, we all agree because learning music by rote and reading music go hand in hand. It is rote before the note, ear before the eye, and sound before the sound, so everyone should start without notation. The notation part starts after and sometimes in conjunction with the aural training. If you already focus more on the aural training, teaching them to read will not be a problem. The inverse cannot happen because students who do not have good aural skills cannot sight-read well. I would love to see more college professors speak up on this issue!
Queens is one of the most diverse places in the world. How can music serve as a “common language” for diverse students?
This week, I am joined by Shanan Estreicher, a middle and elementary music teacher in Queens, New York. Shanan is also a composer, and songwriter who has found a magic formula to reach the students of a Title 1 school with a constantly in flux student population. The formula includes general music, chorus, songwriting and more to bridge cultural, language and prior knowledge gaps.
In this discussion, Mr. Estreicher and I discuss the challenges as well as the life enriching benefits of teaching at-risk students, as well as the mindset he developed as he began his teaching career hoping for that “dream gig” and discovering that he had the power to build the dream in Queens. Many teachers “burn out” in Title 1 schools, but Shanan provides an inspiring story of how a teacher can make a difference in the lives of kids that desperately need a reason to come to school.
Tune in, and have your thinking stimulated and challenged. Then, weigh in yourself on Facebook in the Choralosophers group or over on choralosophy.substack.com.
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
For future rehearsal clips, find me on TikTok, Insta and FB!
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Shanan Estreicher is a composer and songwriter living in New York City. He studied music at the Manhattan School of Music and Aaron Copland School of Music at Queens College.
He has composed orchestral, choral, and chamber music, art songs, and music for theater, TV, and film. His compositions have been performed at Carnegie Hall, featured on NBC, Lifetime, and Fox, and can be heard on Composer Concordance Records (Naxos). As a songwriter, he released five albums as a solo artist and with the alt-country group The Brown Trousers. Shanan has collaborated extensively with Grammy Award-winning producer Brian Forbes and received grants from New Music USA and Queens Council on the Arts.
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Recent premieres include “A Concordance of Leaves”, a new cantata for choir and baritone soloist with poetry by Philip Metres (Copper Canyon Publishing) by choral director James John, the Queens College Vocal Ensemble, and baritone soloist Andrew Wannigman, “I Laughed So Hard I Cried” by the Overlook Quartet, “All You Shining Stars” by the Brazos Valley Symphony Orchestra featuring multi-genre trumpeter Itamar Borochov, “Songs of Emily Dickinson” by Sarah Shafer (Metropolitan Opera, San Francisco Opera) and the Chamber Orchestra of New York at Carnegie Hall, and various commissions for Composers Concordance and Access Contemporary Music.
As a founding board member of the Chamber Orchestra of New York, Shanan has helped lead the ensemble to international success and acclaim. He served as Co-Artistic Producer for the orchestra’s Naxos recordings of Respighi’s “The Birds”, Ralph Vaughan Williams’s “The Lark Ascending”, Respighi’s “Ancient Airs and Dances”, and Salvatore Di Vittorio’s Symphonies 3 and 4. Shanan has also designed and launched an educational outreach program called Maestro Juniors for the orchestra which brings live classical music performances to title-one schools in New York City.
One of Shanan’s greatest joys is sharing his passion for music with children. For over seventeen years he has taught music at a public school in Queens, NY. The documentary “Rise Up and Sing—The Movie” chronicles his work with the P.S./I.S. 127 Chorus. He is also the founder and director of the Queens County Choral Festival for elementary and middle school students.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
Dr. Bridget Sweet is the first scholar to examine adolescent female voice change through systematic research protocols
This week, we fill in a major gap in programming on the Choralosophy podcast. This is the FIRST episode on the feed diving into research and teaching practice of the female changing voice in adolescence. There will be more to come! But, for this episode I am joined be one of our pre-eminent experts, Dr. Bridget Sweet. “The Larynx is not a vagina.” Bridget advocates that we spend more time teaching kids about the physiology. The kids may giggle when you show a picture of a larynx, but they will get over it.
In this episode we talk about the issues created by the gap in choral music education about this topic and related research, as well as strategies for teachers to address the changes in girls voices and to normalize the experience in the same way we should for boys. We also discuss the realities that teachers face that cause us to focus more on the voice changes of the boys. It gets more of our attention, so often, the girls needs go unaddressed. Part of this occurs with the overly common practice of voice part labels applied to girls at way too early an age. This episode is helpful, challenging and so important!
Tune in, and have your thinking stimulated and challenged. Then, weigh in yourself on Facebook in the Choralosophers group or over on choralosophy.substack.com.
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
For future rehearsal clips, find me on TikTok, Insta and FB!
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Bridget Sweet is Associate Professor of Music Education at University of Illinois in Urbana-Champaign, Illinois. After completing her Bachelors Degree in Music Education at Western Michigan University, Dr. Sweet enjoyed a successful tenure as a middle school choir teacher for nearly ten years. Her interests in adolescent music education intensified during her Masters and Doctoral programs in Music Education at Michigan State University, which contributed to her research focused on characteristics of effective and exemplary middle-level music teachers. Prior to her work at the University of Illinois, Dr. Sweet was Assistant Professor of Music Education at Bucknell University in Lewisburg, PA. At the University of Illinois, Dr. Sweet teaches secondary music education pedagogy, including choral methods and literature, graduate courses in music education, as well as a course focused on the development of healthy practices for all musicians. She is a Licensed Body Mapping Educator through the Association for Body Mapping Education.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Dr. Sweet continues to work extensively with adolescent singers as a teacher, clinician, and conductor; she has been invited to conduct middle and high school All-State Choirs and Honors Choirs in many states. Dr. Sweet wrote the books Growing Musicians: Teaching Music in Middle School and Beyond (2016, Oxford University Press) and Thinking Outside the Voice Box: Adolescent Voice Change in Music Education (2020, Oxford University Press). Dr. Sweet’s research interests include middle level choral music education, [assigned at birth] female and male adolescent voice change, musician health and wellness, intersections of LGBTQ+ topics and the music classroom, as well as intersections of motherhood and academia.
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
Her research has appeared in publications of Bulletin of the Council for Research in Music Education, Choral Journal, International Journal of Music Education: Research, Journal of Research in Music Education and Update: Applications of Research in Music Education. She has authored chapters within The Oxford Handbook of Qualitative Research in American Music Education (2014) and The Oxford Handbook of Care in Music Education. Dr. Sweet was initiated as a Friend of the Arts to the Sigma Alpha Iota International Music Fraternity (2021). She is a member of the Editorial Committee of the Bulletin of the Council of Research in Music Education, International Journal of Research in Choral Music, Journal of Research in Music Education, and Qualitative Research in Music Education.
Is “Tough Love” outdated? Or is it the tool of caring parents and educators?
Recently, a “Facebook post dialogue” of sorts went viral amongst music educators between Juilliard professor Geoffrey Keezer and James Falzone. Professor Keezer made a relatively short post related to the problems he is seeing in his teaching position related to reliability and accountability for students. It resonated with thousands of people as it got shared and discussed. But, it kind of had a “kids these days” feeling to it, so not everyone responded sympathetically. Enter, James Falzone. He crafted an essay in response encouraging a much more introspective approach to the very real issue that Professor Keezer was speaking to.
That’s where this episode comes in. I was clued in to this discourse when I saw it shared by this week’s guest, Dr. Jonathan Talberg. Jonathan has decades of experience teaching at the post-secondary level, so I asked him to join me to parse out some nuance in this discussion. We wrestle with questions about “tough love” and “holding students accountable.” How do these ideas mesh with this generation of students and their changing needs, values and sensibilities? And maybe most importantly, how do we navigate all of this while NOT lowering our academic standards?
Tune in, and have your thinking stimulated and challenged. Then, weigh in yourself on Facebook in the Choralosophers group or over on choralosophy.substack.com.
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
For future rehearsal clips, find me on TikTok, Insta and FB!
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Recipient of the President’s Award from the California Music Educators Association honoring “extraordinary accomplishments in music education,” Dr. Jonathan Talberg serves as Director of Choral Activities at the Bob Cole Conservatory, where he is conductor of the international award-winning Bob Cole Conservatory Chamber Choir and the CSULB University Choir. Recent career highlights include leading the Chamber Choir to first place at the Austrian Spittal International Choir Festival and the “Choir of the World” competition in Wales. Additionally, he and the choir have performed with groups as diverse as the Kronos Quartet, the Los Angeles Master Chorale, the Pacific Symphony and the Rolling Stones.
A passionate advocate for choral music education, Dr. Talberg is regularly engaged to conduct honor choirs across the US, including numerous all-state choruses, and National Association for Music Education conference choirs. His choirs from Long Beach State have performed in venues throughout Europe and Asia, including the Sistine Chapel, St. Peter’s Basilica, and the Great Hall of the People in China.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
His professional experience includes appointments as Director of Music at the First Congregational Church of Los Angeles and the Los Angeles Bach Festival. He also served as Conducting Assistant to the Cincinnati Symphony and the Aspen Music Festival and as principal choral conductor at Arrowbear Music Camp in Southern California. A past-president of the California Choral Directors Association, he serves as an editor at Pavane Music Publishing, where a choral series dedicated to outstanding quality, collegiate-level music is published under his name. He taught high school choral music and drama for five years before moving into higher education.
Of the many hats he wears each day, the one he is most proud of is mentor to the next generation of choral musicians. Alumni of the Bob Cole Conservatory Choral Studies program are teaching at elementary, middle and high schools, churches, community colleges and four-year universities throughout the country. Scores of alumni are professional singers—in opera, musical theater, choirs, church music, jazz and pop.
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Bob Cole Conservatory choral studies graduates are currently earning—or have finished—their doctorates at some of the finest institutions in the country, including the University of Michigan, the College-Conservatory of Music at the University of Cincinnati, Indiana University, the University of Kentucky, the University of Iowa, the University of Houston, the University of Southern California and UCLA.
Dr. Talberg received his BM in Choral Conducting from Chapman University, where he received the Outstanding Alumnus in the Arts award in 2014. He earned his MM and DMA in Choral Conducting from the University of Cincinnati’s College-Conservatory of Music and completed a post-doctoral fellowship with the Cincinnati Symphony Orchestra, Cincinnati Pops, and the May Festival Chorus. His conducting teachers include Roger Wagner, William Hall, Earl Rivers, John Leman and Elmer Thomas.
Professor and researcher Martin Ashley from the UK is back to talk about more recent research related to the boys changing voice from both a biological and empirical view, as well as a qualitative experiential one. We discuss his latest compilation of crucial information, which he has made available for FREE. The eBook is called “Dead Composers and Living Boys.” It is a treasure trove of data, anecdote and advice for teachers of adolescent male singers.
“The word “boy” is more of a social term than a biological or medical one. It is not uncommon in choral work for the words “boy” and “treble” to be used interchangeably, but this is not helpful. A young male who sings a soprano or perhaps alto line could be either a child or an adolescent… Boys, it is often said, do not want to “sound like girls”, but until adolescence, boys’ and girls’ voices are physically the same. Any perceived differences in children’s voices will be learned cultural ones, not biological ones. Adolescence is when voices diverge and the male singing adventure really begins.” -an excerpt from Martin’s book.
In this episode, Martin and I discuss common misunderstandings and mythology around the boys changing voice, and some of the most vital pieces of information all teachers of adolescent boys need to know in order to address the biggest demographic access gap in choral music education. Boys aren’t singing.
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
For future rehearsal clips, find me on TikTok, Insta and FB!
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Professor Martin Ashley PhD is editor-in-chief of ABCD Choral Singing Research, the peer-reviewed research journal of the Association of British Choral Directors, having retired from his position as Head of Research in the Faculty of Education at Edge Hill University in 2013. After working in sound recording for the BBC he trained as a middle school music teacher. He worked in a variety of school settings teaching both music and his other specialism of environmental science before moving into university work. Whilst at the University of the West of England in Bristol he designed and led a 3+1 route of degree + PGCE in primary education for teachers wishing to specialise in music and the performing arts. A post-doctoral fellowship awarded by the Arts and Humanities Research Council allowed him to develop a longstanding interest in the impact of boys’ understanding of voice on their musical learning.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Since writing the book How High Should Boys Sing? he has published widely on the topic of male singing during early adolescence, collaborating with the late Don Collins of the Cambiata Vocal Institute of America. He has subsequently worked in collaboration with a paediatric specialist and phoniatrician on the timing of puberty and voice change and remains as consultant editor for OUP’s Emerging Voices series of cambiata vocal arrangements. His most recent book was Singing in the Lower Secondary School in the OUP music education series.
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
Immediately prior to the Covid-19 pandemic he was working on the consequences of earlier voice change and boys’ musical maturity in mixed gender settings and had published work on historical trends in puberty, Tudor pitch and the sixteenth century mean voice.In response to the covid pandemic, he assembled a small team of virologists and public health professionals to produce a rapid response review for ABCD and is currently working on studies of boys choirs responding to the covid pandemic around the world, and a UK study of community choirs and shared rehearsal spaces.
In the digital realm where voices meet ideas, there’s a podcast that’s become a community hub for Choral Music: The Choralosophy Podcast started in February 2019. It was just a small gathering of a few hundred colleagues, sharing their love for choral music.
Then, the unexpected happened. When the Covid-19 pandemic hit, episode 33 of the podcast seemed to strike a chord with thousands. Suddenly, it wasn’t just about music anymore – it sparked conversations among over 15,000 people and even caught the eye of the New York Times. That was the turning point. All the while, we have staid true to our mission of provided robust, well researched, and thoroughly presented professional development resources for FREE to educators on demand. Topics like Music Literacy, Vocal Pedagogy, Classroom Management and Grading procedures are regular features on the show.
What makes the Choralosophy Podcast special is its willingness to tackle the tough stuff. The guests and I dive into everything from music education to psychology, diversity, equity, and inclusion, and even broader topics like politics and education systems. As a result, the show has had its fair share of controversy. Generating buzz both positive and negative, but always having an impact on the conversation and expanding the Overton Window in Choral Music. Some think the show is “conservative,” some think it’s “too woke.” Some have called me the “Joe Rogan” of choir podcasts, or a “pusher of dangerous ideologies,” while still others thank me for speaking up for a lot of people who don’t feel safe to speak up themselves.
We’ve hosted some big names, sure, like Eric Whitacre, John Rutter, and Andre Thomas. But what really sets this podcast apart is its diverse range of voices. From educators to thought leaders in various fields, everyone brings something valuable to the table.
Now, five years later, the Choralosophy Podcast isn’t just a podcast – it’s a global community and multi-media platform. Thousands of listeners tune in regularly, not just for the professional resources, but for the conversations that challenge and inspire us all to learn and grow.
In a world where connection is more important than ever, the Choralosophy Podcast wants reminds us that our voices matter – and that together, we can create something truly beautiful. Tune in to this short episode as we look back, AND look forward to the next five years!
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
For future rehearsal clips, find me on TikTok, Insta and FB!
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
Activist, author Chloé Valdary is a diversity and anti-racism trainer with a refreshingly loving approach. This week, on Valentine’s Day, I am encouraging us to approach our ensembles, our classes, our colleagues and our neighbors with Agape.
In music education, we have a very popular, and important euphemism: “I want my students to see themselves in the music, or in the ensembles I have them watch” based on the finding people who look like them. And this representation does matter! But what I don’t hear enough is, “I want my students to learn to see themselves in everyone, and in ALL of the music we learn.” This introspective approach is echoed in Chloé’s fascinating brand of Anti-Racism.
“I imagine one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, they will be forced to deal with pain.”
James Baldwin
One of the core premises that Chloé likes to communicate is that if you can’t apply the principle James Baldwin describes here to YOURSELF, then it will not have any value in healing the rifts between us. If you see it only as a principle that applies to others, we will never enter important conversations as equals. She trains, teaches and advocates for a type of conversation about diversity in schools, groups and organizations that starts with introspection and search for our common humanity.
For future rehearsal clips, find me on TikTok, Insta and FB!
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
From Theory of Enchantment: One particular day, in a religious studies class, my professor, an agnostic, shows us a documentary called Jesus Camp. It follows a group of evangelical Christians at their summer camp for kids. The subjects are not portrayed in a positive light.
Suddenly, a student in our class starts to rail against the Christians in the movie, and I peg my agnostic professor as a person who won’t mind. How wrong I am. It becomes a shouting match between her and the student. My professor vigorously defends the Christians in the documentary, saying we all gravitate toward things that give us a feeling of meaning and significance, belonging, and community. Then she says,
She defies the agnostic box I placed her in. The frameworks that I am using to find meaning in the world are no longer sufficient. I am desperate for one that is. Slowly but surely, I realize I am outgrowing my religion.
I grew up in New Orleans with four sisters. We were an extremely atypical Christian family, and my parents deeply inculcated a strict religious philosophy. We didn’t observe Christian holidays, we observed Jewish holidays. Church was on Saturday instead of Sunday, and Rosh Hashanah and Yom Kippur were celebrated instead of Christmas and Easter.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
From my mother, a homemaker, I absorbed a deep inquisitiveness about human beings. From my dad, a banker, I gained a reverence for the numinous and the transcendent. But I also came out of childhood dogmatic in certain ways.
I went to a performing arts high school then to the University of New Orleans, where I became an activist.
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Nicholas Weininger, software engineer and composer, joins me this week to discuss the power of the Hebrew language in choral settings. Both in terms of its sonority and aspects of diction, but also in the contributions many ancient Hebrew texts can make to our philosophical discourses to this day.
We discuss the difficulties finding choral music with rich Hebrew text, we also analyze a passage from Ecclesiastes that is the basis of a new Cantata that Nicholas composed after the pandemic. The discussion then moves to the coincidence of the new cantata’s birth into the world during a time of surging anti-Semitism and post pandemic searches for accountability and reflection. This was a very thought provoking discussion, and we hope you will join us!
Be sure to weigh in on the Choralosophers facebook page, on Substack or any posts related to this episode!
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
For future rehearsal clips, find me on TikTok, Insta and FB!
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Nicholas Weininger (b. 1978) is a composer, singer, software engineering manager, and leadership coach. Nick’s works have been performed by the International Orange Chorale of San Francisco, Sacred and Profane, Choral Chameleon, Empire City Men’s Chorus, Coro Mundi, West Genesee High School Chorale, and the Germantown Friends School Concert Choir, among others. In March 2023, the Empire City Men’s Chorus premiered Nick’s cantata Hakol Hevel (All is Mere Breath) for TTBB chorus, orchestra, and soloists; the album of the same name, from Navona Records, is available on all major streaming services. Nick’s works are published through Personage Press and ArrangeMe.
Nick has sung with the International Orange Chorale of San Francisco (IOCSF) since 2007. He began composing for IOCSF in 2011 and in 2015-2016 served as IOCSF’s inaugural Composer-in-Residence; the ensemble has performed eleven of his works in all and recorded four on the albums The Unknown Region and Hope in Times of Disquiet. Nick’s 2016 setting of “As kingfishers catch fire”, commissioned by IOCSF, was awarded second prize in the Ithaca College Choral Composition Competition and was a finalist for the 2020 American Prize. Nick’s singing experience also includes stints with the San Francisco Symphony Chorus, Festival Napa Valley Volti Chorale, and Coro Mundi.
In Nick’s non-musical life, he has spent most of his career managing teams of software engineers and mentoring software engineering leaders, notably at Google from 2005 to 2020. He received a PhD in pure mathematics from Rutgers University in 2005. Initially an autodidact composer, Nick took up private composition study with Joseph Stillwell in 2014 and now studies with Vince Peterson. Nick lives in San Francisco with his wife and son.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
This podcast has become the place to go for Music Literacy pedagogical training tools for teachers over the last five years. As a result, I have never received as much correspondence about content NOT created by me, than Dr. Marshaun Hymon’s February 2024 Choral Journal Article called “A Skills First Approach to the All-State Choir Selection Process.” Let’s just say, this piece has made a splash!
We center the conversation around the ideas presented in the article including whether or not learning to read music is analogous to having to learn to read and write “standard English” vs. African American vernacular, whether “music literacy” can be a useful term when NOT referencing the reading/writing of music, a dissection of how different states assess sight singing, and possible improvements to current systems of assessment. And, of course, we dissect the usefulness of the idea that “a primary focus on music reading does center whiteness.”
Be sure to weigh in on the Choralosophers facebook page, on Substack or any posts related to this episode!
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
For future rehearsal clips, find me on TikTok, Insta and FB!
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Dr. Marshaun R. Hymon is the Co-Founder & Managing Partner of True Change Alliance, LLC. He most recently finished a consulting contract with the Getty Museum & Trust where he develop equity-focused programming for their summer internship programs. Aside from various training commitments, he is now on contract with One Workplace supporting in developing organizational DEI strategy. Dr. Hymon is an Assistant Professor and he teaches college, career and employment readiness courses.
Dr. Chantae D. Pittman is the proud director of 3 choral ensembles at Campbell High School. She is in her 14th year of teaching and her 5th at CHS.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Dr. Pittman has been involved in various forms of Fine Arts since she was a small child. Growing up she participated in choirs, band, dance groups, as well as participating in the drama club. She was highly active in her high school Performing Arts program graduating from Lovejoy High School in 2006 with a Fine Arts Seal of Distinction.
She then went on to pursue her Bachelor’s degree at Tennessee State University where she graduated Cum Laude in 2010, and then her Master’s Degree in 2013 from VanderCook College of Music. Dr. Pittman most recently completed her Doctoral degree in Music Education from the University of Georgia on May 2021. GO DAWGS!!
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
Dr. Pittman continues to perform at the professional level through various solo efforts as well as with the Atlanta Women’s Chorus as well as the Atlanta Symphony Chorus where she has performed at Carnegie Hall in New York and the Kennedy Center in Washington DC.
Are there core skills that MUST be acquired in order to teach music? Should there be? This week, I welcome Lynn Atkins to discuss the current challenges we face getting young teachers ready to teach music in an era when our current students and recent graduates had a pretty serious interruption in their education. In addition to this, we have debates raging about whether or not music degree recipients should even be required to be proficiently literate in notation. Throw in a rapidly increasing cost of tuition, AND a rapidly increasing pressure on collegiate faculties to recruit and retain tuition paying students, and we may have a boiling pot on our hands.
Tune in as Lynn shares his experience teaching at a college in California. We share thoughts about the need for different types of music ed training programs with different barriers to entry, the right of students to be taught be highly competent teachers, and the aspirational goals of an excellent teacher training program.
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
For future rehearsal clips, find me on TikTok, Insta and FB!
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
A passionate educator and musician, Lynn Gary Atkins, Jr. promotes honoring the world of his musicians in every choral rehearsal. From 2013-2019, he served as the Artistic Director of One Voice Chorus Richmond, who’s mission is to promote racial reconciliation in the City of Richmond through choral music. An 18 year veteran of teaching choir in schools in Virginia and New Jersey, Lynn is in his second year as Assistant Professor of Music, Director of Choral Activities, and Voice Area Coordinator at California State University Dominguez Hills. He is also Director of Music Ministries at Faith United Methodist Church in Torrance, CA; and Artistic Director of LA Bronze Handbell Ensemble.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
We are doing something different and fun this week! Just me, and three young colleagues about half my age. Over the last few months, I have gotten several requests to do an episode dedicated to the issues and concerns faced by the next generation of educators. What better way to do that than host a panel?!
In this lively discussion with Amenah Ghani, Madelyn Merrell and Victoria Devine, we compare notes on life as a music major in the post-pandemic era and the late 1990’s when I was in undergrad. We also talk about ways young teachers should approach that first job search, and how our educational philosophies evolve over time from that first paper we write about it Junior year. Finally, the guests and I dig in to some keys to success and mindset for young educators.
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Madelyn Merrell is a singer, pianist, and educator that strives to make music learning responsive to students’ needs and interests. She received her Bachelor of Music Education degree in voice with honors from Jacobs School of Music, with minors in Conducting and General Music Education. She is presently pursuing a Master of Music Education Degree from Cincinnati Conservatory of Music.
Madelyn has performed with Indiana University’s Singing Hoosiers, the Indianapolis Symphony Orchestra, and the Fort Wayne Philharmonic. Besides her classical training, she has experience with musical theatre, contemporary music, and jazz.
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
She currently works in Chicago Public Schools at Westinghouse College Preparatory High School, where she serves as the choir and piano teacher, as well as the music director for musicals and sponsor of Glee Club and Piano Club. Outside of her this, Madelyn teaches private voice and piano lessons at Pilsen Music Studio. She is dedicated to sharing the joy of music with students of all ages and backgrounds! Her “Teachergram”: @MsMerrellMusic
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Amenah Ghani (she/her) is currently a sophomore general/choral Music Education major at the University of Delaware. From a young age, Amenah displayed an extraordinary affinity for music which was fostered through high level music making with the Princeton Girlchoir from ages 9-18 under the direction of Dr. Lynnel Joy Jenkins.
So far during her time at the University of Delaware, Amenah has been involved in community service organizations and her school of music student council. In addition, she serves as the treasurer of the UD ACDA chapter and the president of the UD NAfME chapter. Through the UD Community Music School, Amenah has taught early childhood music classes, ukulele, and middle school choir. Learning to embrace her solo voice, Amenah is involved with the UD Lyric Theatre and has the immense pleasure of studying voice under Dr. Noël Archambeault.
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
She has a deep rooted passion for social justice and advocacy work. With patience and creativity, she hopes to instill not just technical expertise but also a deep appreciation for the language of music in her students.
Victoria Devine is in her second year of teaching at Manorhaven Elementary School in Port Washington, NY, as the General Music and Chorus Teacher. She also works as the music director for the Spring Musical at Valley Stream South High School. She received her Bachelor of Music in Music Education from Ithaca College, and will be starting her Masters in Music Education this summer.
This week, I welcome a colleague who shares my crusade of teaching teenagers to be the best they can be through choral music. Jimmy Robertson is a veteran teacher from Garland, TX. In this episode we discuss the ways in which being a teacher can, at times, drain us of our joy. We both love our jobs, but it takes intentionality, and sense of community to feel fulfilled in our careers.
Jimmy offers his insights on our tendency to “burn out” from overwork, unsupportive administrators, lack of connection with colleagues, our OWN need to prepare for the job, and possibly the greatest dragon of them all: the comparison game. “Do I measure up to other choir teachers?” Be sure listen, comment, and share your related experiences.
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Mr. Jimmy Lee Robertson III, aectionately known by his students as “Mr. Rob”, is one of five children and a native of Longview, TX. He is in his fourteenth year of teaching currently serving as Head Director of Choral Activities at Naaman Forest High School in Garland, TX. Robertson holds a Bachelor’s Degree in Music Education from Stephen F. Austin State University, and a Master’s in Choral Conducting from Texas Tech University.
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
His passion for choral music is infectious in that several of his former and current students are All-Region Members, Texas Music Scholars, State Solo and Ensemble Qualifiers, and/or Texas All-State Choir Members. Students under Robertson’s tutelage have gone on to pursue music education at some of the finest music institutions in the country. Robertson’s professional memberships include Phi Mu Alpha Sinfonia Fraternity, TMEA, TCDA, ACDA, SWACDA, and the Texas Music Adjudicators Association .
When not in the choral classroom, Robertson is in great demand as a UIL Contest adjudicator, Festival Guest Conductor, All Region clinician, music education advocate, and soloist for weddings, church services, and (most recently) the Dallas Mavericks, performing the Star Spangled Banner there December of 2021. Robertson is excited for his upcoming Carnegie Hall debut conducting Faure’s Requiem in June of 2025. He looks forward to joining his passion with other like-minded musicians all throughout the world. This choral podcast is dedicated to music education, and choral teachers all over world.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
The quest for diversity in Western art music has led to the influx of ‘Westernized’ African music into the choral canon, albeit tagged as ‘world music’. This approach to the inclusion of diverse repertoire has led to the homogenization of indigenous African folk tunes by non-indigenous composers, thus creating Western-sounding African music.
In this episode, we cover more than just the “how to.” We discuss issues of diversity and access, and the possibility that many popular approaches to these ideals are counterproductive. We also discuss the peculiar and reductive ways that we in the Western World discuss diversity while using extremely reductive terms like broad skin color categories, and continents of origin etc. After all, if we use reductive terms like “African” music, we are missing out on most of the beautiful diversity that the vast continent of Africa has to offer.
Ebuka suggests a helpful, easy to remember framework he calls the “3 Re-s.” Resource-Research-Resolve. We discuss the mistakes many directors make along this continuum as it applies to the Music of Sub-Saharan African musical traditions as well as music of any culture that is not our own.
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Ebuka Ezeakacha, born on February 4, 1988, is a Nigerian-American Choral Conductor and Composer. As the fourth of five siblings and the youngest of four boys, he developed a passion for music early in life. Currently pursuing his doctoral studies in Choral Conducting at the University of Oklahoma, he combines his academic pursuits with his role as the Choir Director at the First Unitarian Church of Oklahoma City.
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Ebuka is a devoted advocate for accessible and inclusive programming of Indigenous African Choral Music, aiming to bridge cultural gaps and celebrate the rich musical heritage of the continent. Beyond his choral expertise, he applies his talents as a part-time audio/visual editor and producer, proficient in tools such as Adobe Audition, Adobe Premiere Pro, and FL Studio.
His educational journey includes a Bachelor’s degree in Theater Arts from Nnamdi Azikiwe University in Nigeria, a Master’s degree in Communication from the University of Louisiana at Lafayette, and a Master’s in Choral Conducting from the University of Oklahoma. In addition to his professional pursuits, Ebuka is a loving husband and father to an incredible boy, with the anticipation of welcoming a beautiful girl as the family expands. His commitment to music, cultural inclusivity, and family exemplifies a harmonious blend of professional and personal achievements.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
Another year of Choralosophy has come to a close! In this episode I have collected short clips, commentary and show highlights from the top 10 episodes and milestones of the year!
The criteria is a a bit complex, because the longer the episode is out, the more total people will hear it. So, to make it fair to all episodes over the year, I have come up with a system.
I hope you will drop YOUR personal favorites in the comments! I would also love to hear what you want to hear about in 2024! You can also apply to appear on the show to discuss your passion points at Choralosophy.com
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
Over the last few weeks I have noticed a storm after the calm in choral music circles. We saw a boil over in Texas when a clinician withdrew from a conference based on a letter from two members that made her feel unwelcome, and a downstream fallout stemming from how the organization handled the issue. We saw a terribly offensive presentation given at a conference in New York that referred to some schools as “Hood” schools and the justified outrage at this affront. Not too long ago, there were arguments about cancelling Jingle Bells, and I am not even mentioning all of the controversies.
As many may know, the mission here at Choralosophy is to HAVE the conversation when others just want to lob social media bombs back and forth. In this episode I do a deep dive on some of the ideas at the root of these disagreements. I do this by telling a story of an online discussion I had about “Colonization and Classical Music.” Because here is the thing: Political footballs have been made of terms like “Critical Race Theory,” and “Intersectionality,” and “Decolonization.” Many, and I would say most, do not use these terms correctly whether they are “for” or “against” the ideas.
It kind of reminds me also of some conversations we had back in 2020 about an infamous essay on Choral Cancel Culture…
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
This week, Dr. Anthony Trecek-King joins the Choralosophy conversation by joining me to discuss two related topics. The teaching of musical fundamentals in our classrooms AND how we can have better and more productive conversations about social justice and the inequities in our society.
We range from concrete, in class activities to try with a choir to develop the inner ear, all the way to the core tenets of Anthony’s “Face Your Neighbor” training related to facilitating IN CLASS social justice conversations. We even discuss the annual controversy surrounding “removing sight reading from honor choir and All State auditions. You don’t want to miss this!
“My approach to music education is toteach skills and not just songs. I believe that every singer should not only experience and perform music, but learn the skills to be an independent, thinking musician. My philosophy is to teach them to do more, so that I do less. With these exercises we are essentially training the singer’s brain to be sensitive to pitch—and the voice will follow the brain.”
Dr. Anthony Trecek-King
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Dr. Anthony Trecek-King is a highly acclaimed choral conductor, scholar, pedagogue, and media personality with a career spanning over 20 years. He is an active guest conductor and serves as a Resident Conductor (chorus) with the Handel and Haydn Society. Recognized for his ability to create moving performances that exhibit a surprising range of dynamics and depth of expression, Dr. Trecek-King excels at cultivating vocal and instrumental musicians at all levels. Through his collaborative rehearsal style, he bridges the gap between high art and humanity, captivating audiences while maintaining exceptional sonic quality.
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Ensembles under his direction were integral to projects that have won a Pulitzer Prize (Madam White Snake, Zhou Long), received a Grammy (Fantastic Mr. Fox, Boston Modern Orchestra Project), and earned the National Arts and Humanities Youth Program Award from Presidential Committee on the Arts (Boston Children’s Chorus). Dr. Trecek-King has worked with a variety of artists and ensembles including Leslie Odom Jr., Melinda Doolittle, the San Francisco Symphony Chorus, The Houston Chamber Choir, Seraphic Fire, Keith Lockhart, John Williams, Gil Rose, Simon Halsey, Yo Yo Ma, and Roomful of Teeth.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
He has led performances in world-renowned venues including Boston Symphony Hall, the Kennedy Center in Washington, D.C., Carnegie Hall in New York City, Royal Albert Hall in London, and the Sydney Opera House. In addition to his conducting work, he is currently the host of the classical radio show “The Silent Canon” which airs on KNVO 90.7. He can also be seen on-air and online on the Emmy nominated WGBH television series Sing That Thing, and two TEDx Boston talks. He holds a B.M. in Cello Performance from the University of Nebraska at Omaha, an M.M. in Orchestral Conducting from the Florida State University, and a D.M.A. in Choral Conducting from the Boston University. He currently lives in the Boston area with his partner Melanie (of Thinking is Power) and their cat.
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
Over the last year, I have seen Dr. Thomas present twice on the importance of ensuring that the African American Spiritual is passed on to the next generations through our choral ensembles and music classrooms. In these presentations he also speaks eloquently about the challenges we face in doing so. We have parents, students and administrators worried about being accused of appropriation. We have directors worried about being criticized for inauthenticity, and governors pushing laws making it a minefield to teach the histories of race and racism in some states.
How do we see the challenges, and choose to move forward in the face of them? In this episode Dr. Thomas advocates for a performance practice, and linguistically informed approach to the spiritual. One in which, we the teachers, enter the classrooms armed to teach both the how and the why of the spiritual.
“I would never hurt someone’s self esteem with music, because music is my tool to reach them.”
André Thomas on students who may feel uncomfortable at first with this repertoire.
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
ANDRÉ J. THOMAS is a Professor Emeritus of Music at Florida State University. He was visiting Professor of Choral Conducting at Yale University from 2020-2022. He also served as a faculty member at the University of Texas, Austin. He is presently an Associate Artist with the London Symphony Orchestra.
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Dr. Thomas received his degrees from Friends University (B.A.), Northwestern University (M. M.), and The University of Illinois (D.M.A). He is in demand as a choral adjudicator, clinician, and director of Honor/All-State Choirs throughout North America, Europe, Asia, New Zealand, Australia, and Africa. Dr. Thomas has conducted choirs at the state, division, and national conventions of the Music Educators National Conference (NAFME) and the American Choral Directors Association (ACDA). His international conducting credits are extensive.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
He has led numerous prestigious orchestras and choirs around the world, including the Birmingham Symphony Orchestra in England, the Berlin Radio Choir and the North German Radio Choir in Germany, the Netherlands Radio Choir, the Bulgarian Radio Choir & Orchestra, the Seoul Metropolitan Chorus, Ansan City Choir, Jeju Provincial Seogwipo Chorale in South Korea, the Charlotte Symphony, China’s People’s Liberation Orchestra, the Czech National Symphony Orchestra, and the London Symphony Orchestra.
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
Thomas is a distinguished composer/arranger with Hinshaw Music Company, Mark Foster Music Company, Fitzsimons Music Company, Lawson Gould, Earthsongs, Choristers Guild, and Heritage Music Company.
Various musical organizations have recognized Thomas with the Living Legend Award, the Distinguished Service Award, the Robert Shaw Award, the NCCO (National Collegiate Choral Organization) Lifetime Achievement Award, and the Southern Region of ACDA Award of Excellence. In January 2019, he was inducted into the Florida Music Educator’s Hall of Fame, and in 2022 he was presented the Samuel Simons Sanford Medal, the most prestigious honor conferred by the Yale School of Music.
In a world characterized by constant social criticism and a perpetual desire for progress, the often-overlooked emotion of gratitude emerges as a powerful catalyst for personal and societal improvement.
While constructive criticism and a drive for change are essential elements in fostering growth, without a foundation of gratitude for what we DO have, individuals and societies may find themselves trapped in a cycle of discontent. I often see Gratitude conflated with “complacency” or resting on our laurels. I believe that this is a fundamental error in our perception of human nature. It misses the human need to reflect on past successes or W’s as the kids say, as motivation for future efforts of improvement.
This episode also features statements of Gratitude related to Choral Music collected in the Choralosophers FB page!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
In this episode, In this episode I will be referencing a few resources, provided in the Patreon Google Folder. The “Science of Reading” refers to a large body of interdisciplinary evidence. The past 40 years has yielded tremendous, interdisciplinary insights into the process of learning to read, gathered from developmental psychology, cognitive neuropsychology, developmental linguistics, and educational intervention research. In Music Education, we are behind this body of research as it relates to our discipline. In this short episode, I have taken on the task of adapting MY favorite Science of Reading take away for a music literacy context. “Scarborough’s Reading Rope.”
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
If the evidence is overwhelming and compelling, why are so many children failing to learn to read? Despite a preponderance of evidence about what constitutes good reading instruction…false theories persist
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Dr. Jeffrey Allen Murdock is internationally known as a conductor and clinician. He currently serves as Director of Choral Activities, Founding Director of the Arkansas Center for Black Music, and Associate Professor of Music at the University of Arkansas. He is the 2016 Connor Endowed Faculty Fellow in the J. William Fulbright College of Arts and Science, and 2019 Most Outstanding Faculty at the University of Arkansas. He is the 2021 GRAMMY Music Educator of the Year.
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
Dr. Murdock has conducted regional and state honor choirs, and headlined conferences in 26 states and 5 countries. With research interests inclusive of Culturally Responsive Pedagogy in the Choral Classroom, Music in Urban Schools, and Social Justice in Music Education, he has presented at state, regional and national conferences of the National Association for Music Education (NAfME), the International Society for Music Education (ISME), and the American Choral Director’s Association, where he serves as president-elect of the Southwestern Division, past-president of Arkansas ACDA, and serves on the national diversity subcommittee. Choirs under Dr. Murdock’s direction have performed at the Arkansas All-State Conference and the Southwestern Division Conference of the American Choral Directors Association. In addition to being an accomplished conductor of western choral music, Dr. Murdock is also a skilled gospel musician and conductor. He has served on the conducting staff of the National Baptist Convention, USA, Inc., has collaborated with numerous world-renown Gospel recording artists.
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Dr. Murdock holds a Bachelor’s degree in Music Education and a Master of Music degree in Choral Conducting, both from the University of Southern Mississippi, and a Doctor of Philosophy (Ph.D) in Music Education from the University of Memphis.
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
Often times, the most confident and assertive person you will ever meet is an 8 or 9 year old girl. Then, somewhere along the way society teaches her that “like a girl” is not a compliment. For a discussion about this in the world of composition, I am joined this week by prolific composer, publisher and performer Jocelyn Hagen. Our conversation centers around the concepts of feminism in choral music as well as in society at large. We spend a good amount of energy discussing the move from the second wave choral feminists who paved a lot ground for the women of today, as well as the need to build on what they achieved to move to an even better place. To move beyond equal access, and move toward authentic collaboration. We discussed “pretty privilege” as well as the ways women can reclaim the power of the “like a girl” expression.
“There was a period of about 15 years where no one was talking about it. Now we are just kind of done not talking about it.”
Jocelyn Hagen
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Easily the most frequent request I get from the audience is for more teaching examples, rehearsal videos, samples, demonstrations etc. I have decided to stop dragging my feet about this and start creating more of this type of content. Due to the type of media it requires, I will be posting most of this on TikTok and Instagram. But in this episode, I have gathered some audio from some recent rehearsals of Lee’s Summit High School’s “Sounds of Summit” that I think might be a good representation of the rehearsal procedures that I have advocated over the last few years. You will hear my high school chamber choir rehearsing David Childs’ “Where Your Barefoot Walks” as well as “My Spirit is Uncaged” by Paul Rardin. Enjoy, and let me know if you have questions or curiosities about the process! Special thanks to our Staff Accompanist RuthAnn Wagoner for being ready to rock on this tough music! Also, please pardon all of my under the breath noises into the mic that I am horrified that you will hear. 🙂
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
In this episode I draw on a few sources, including audience comments to present an advocacy conversation. To make the case for Choral Music classrooms, infrastructure support, and educational priorities. You will see or hear a video I made all the way back in 2012 in response to the popular TV show “Glee,” as well as a video I made in late summer 2020 arguing that my choral classroom was an essential service to my students. You also hear portions of a livestream I did recently in the Choralosophers FB page as well as some audience thoughts about the question, “What IS Choral Music?”
From “So, You’re a Choir Teacher?”
“I may teach the broadest curriculum of any academic subject in school. We study languages, diction, history, music theory, cultural interactions and on and on…You can get a PhD in Choral Music. You can’t get a PhD in football.”
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
We also spend a bit of time keeping you up to speed on excited things happening on Choralosophy! Tune in, and as always, let us know what you think!
The excerpted videos from the episode can be found below.
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Stephen Cox has the honor of being the FIRST band director and educator to appear on the show! His perspective on music education brings some different insights to the big picture so to speak. This created a very productive conversation about the pros and cons of our traditional models of music delivery in schools.
From Stephen:
“There should never be a false dichotomy that pits Western European Classical music traditions and literature against literally every other form of music making.And yet, many organizations, schools, colleges, and musical institutions see other forms of music making as a threat while defending the “supremacy” of Western European Classical music.When jazz programs entered schools some people fought back arguing that it would ruin music education. The same with Mariachi programs, and now the same with popular music programs. When will we learn?”
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
In this episode we discuss the nuances of the large ensemble model common in the United States as the “default” for music education. Can it be simultaneously true that this model is crucial and valuable, but also we don’t give enough institutional space for other systems and curricula? We also discuss the problems with conflating “classical” and “western” with choirs, bands and orchestras. In other words, is it still true that a choir can only sing music from narrow genres? Of course not! Tune in to the end!
YouTube version
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Stephen T. Cox is the director of bands at the Advanced Learning Academy, Fox Tech, and Cast Tech Schools in San Antonio, TX as of fall 2022. For the previous decade he served as the director of bands at Eastland High School in Eastland, TX A graduate of Howard Payne University, Mr. Cox has been featured in the School Band and Orchestra Magazine’s 50 Directors who make a difference and is the winner of the 2022 Grammy Music Educator Award.
As a speaker he has given clinics on the topics of educational technology, community engagement, small school education and preparing students for majoring in music at the Texas Music Educators Association Convention, Texas Bandmasters Association Convention, the Technology Institute for Music Education, Minnesota Bandmasters Association, and the Midwest Clinic. In his time at Eastland, the high school band has been a consistent UIL sweepstakes band, advanced to state marching contest, won multiple State OPS concert band titles, and performed as a demo group for the Midwest clinic and Texas Bandmasters Association conventions.
Core to his teaching philosophy, Mr. Cox believes that fine arts programs should be integral to their communities, that students should have as much control as possible, and that our ultimate goal is to give students the skills they need to chart their own path in life. Mr. Cox is married to Stephanie Cox, visual art teacher at Thomas Jefferson High School in San Antonio, TX. They have three amazing children, Aubree, Chuck, and Caesar as well as the worlds most stubborn dog, Nellie.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
This week, I am PUMPED to be joined by renowned Psychologist, researcher, author and host of the Psychology Podcast, Dr. Scott Barry Kaufman.
We in the Performing Arts education sphere are in a unique position to have an impact on the whole person in a way that is not accessible to our other teacher colleagues. We offer access to all or many of the “levels” found in Maslow’s hierarchy of needs ALL AT THE SAME TIME. We offer learning, but we also offer safety, love, and in those elusive moments, we offer transcendence. “Musical goosebump moments” occur when our singers feel more than just the music. They feel themselves, connected to each other, and connected to something bigger than the sum of the groups parts.
In this episode Dr. Kaufman shares his own personal choir class origin story in which his choir teacher was critical in changing his academic trajectory. We also discuss one of Scott’s areas of academic expertise: Maslow’s Hierarchy of Needs and how many people misrepresent and misunderstand it.
“It’s time for a more dynamic conceptualization of potential that takes into account each person’s unique package of personal characteristics, dreams, passions, goals, and development. That emphasizes the journey, not the product. That shifts from a single judgement day of standardized and decontextualized testing to an extended period of deeply personal engagement, problem solving, exploration, and revision.”
Visual Version
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Scott Barry Kaufman is a cognitive scientist and humanistic psychologist exploring intelligence, creativity, and the depths of human potential. He is founder and director of the Center for Human Potential and founder of Self-Actualization Coaching. Dr. Kaufman is interested in using his research, podcast, teaching, and coaching to help all kinds of minds live a creative, fulfilling, and self-actualized life.Dr. Kaufman has has taught at Columbia University, Yale, NYU, the University of Pennsylvania, and elsewhere.
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
Dr. Kaufman received a B.S. in psychology and human computer interaction from Carnegie Mellon, an M. Phil in experimental psychology from the University of Cambridge under a Gates Cambridge Scholarship, and a Ph.D. in cognitive psychology from Yale University. He received his coaching training from Positive Acorn. He is also an Honorary Principal Fellow at the University of Melbourne’s Centre for Wellbeing Science.His early educational experiences made him realize the deep reservoir of untapped potential of students, including bright and creative children who have been diagnosed with a learning disability.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
This week, I am PUMPED to be joined by renowned Psychologist, researcher, author and host of the Psychology Podcast, Dr. Scott Barry Kaufman.
We in the Performing Arts education sphere are in a unique position to have an impact on the whole person in a way that is not accessible to our other teacher colleagues. We offer access to all or many of the “levels” found in Maslow’s hierarchy of needs ALL AT THE SAME TIME. We offer learning, but we also offer safety, love, and in those elusive moments, we offer transcendence. “Musical goosebump moments” occur when our singers feel more than just the music. They feel themselves, connected to each other, and connected to something bigger than the sum of the groups parts.
In this episode Dr. Kaufman shares his own personal choir class origin story in which his choir teacher was critical in changing his academic trajectory. We also discuss one of Scott’s areas of academic expertise: Maslow’s Hierarchy of Needs and how many people misrepresent and misunderstand it.
“It’s time for a more dynamic conceptualization of potential that takes into account each person’s unique package of personal characteristics, dreams, passions, goals, and development. That emphasizes the journey, not the product. That shifts from a single judgement day of standardized and decontextualized testing to an extended period of deeply personal engagement, problem solving, exploration, and revision.”
Visual Version
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Scott Barry Kaufman is a cognitive scientist and humanistic psychologist exploring intelligence, creativity, and the depths of human potential. He is founder and director of the Center for Human Potential and founder of Self-Actualization Coaching. Dr. Kaufman is interested in using his research, podcast, teaching, and coaching to help all kinds of minds live a creative, fulfilling, and self-actualized life.Dr. Kaufman has has taught at Columbia University, Yale, NYU, the University of Pennsylvania, and elsewhere.
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
Dr. Kaufman received a B.S. in psychology and human computer interaction from Carnegie Mellon, an M. Phil in experimental psychology from the University of Cambridge under a Gates Cambridge Scholarship, and a Ph.D. in cognitive psychology from Yale University. He received his coaching training from Positive Acorn. He is also an Honorary Principal Fellow at the University of Melbourne’s Centre for Wellbeing Science.His early educational experiences made him realize the deep reservoir of untapped potential of students, including bright and creative children who have been diagnosed with a learning disability.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
This episode was a product of a submission on the main page here at Choralosophy.com. The prompt really grabbed me. Guest Joshua Mazur suggested that we need to have a grown up discussion about the way we in Music Education think about and use the word “talent.” I agree.
From Joshua:
“Our society approaches talent and ability in music in a completely unproductive way. I have seen people with very beautiful singing voices forced to sing in choirs despite the fact that they don’t want to, and people with more average singing voices discouraged from doing so despite their strong desire to sing.”
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
Most ordinary people think they’re unworthy of taking part in important music making (read: community and church choruses) because they don’t sound like the people they hear on their recordings. They don’t recognize the effect a musically literate choir of 30 people, despite the “average” nature of their voices, can have on their communities. We can take 12 people with voices no one would pay to hear as soloists and make them into a very good choir. This could be thought of as one of the great “magics” of ensemble music making. The whole CAN be greater than the sum of its parts. And even better, the individual parts can also be made greater in the process. It’s a win-win!
In this episode we discuss the false idea that musical ability is completely innate and fixed, how to combat this idea in our ensembles, as well as concepts from Daniel Coyle’s “The Talent Code,” which is a must read text for any teacher or coach.
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Joshua L. Mazur is a multi-disciplinary musician from Lakeland, Florida. An award winning singer, he has most recently undertaken the tenor roles of Don Jose in Carmen (Valdosta State University Guest Artist) and the eponymous Phantom of the Opera (Ocala Symphony Orchestra) and was seen previously in such baritone roles as Silvio in Pagliacci (Imperial Symphony Orchestra) and the title role of Gianni Schicchi (Florida Southern College Opera Theater).Mr. Mazur has served Abiding Savior Lutheran Church as Director of Music Ministry & Organist since 2017.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
In addition to his work in ministry, he is the Choirmaster of the Ocala Symphony Orchestra Chorus, Assistant Conductor to Maestro Matthew Wardell and the Ocala Symphony Orchestra, and Adjunct Professor of Studio Voice and Music Theory/Aural Skills at the College of Central Florida, Ocala.Joshua is a prolific composer and arranger, with a catalogue of over 350 works for various solo, ensemble, choral and orchestral ensembles. His works have been performed all over the world at national, and international choral festivals and in such places as Carnegie Hall and in services at the Vatican.
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
He has scored soundtrack music for the films “After Midnight” (2016) and “I Just Called To Say I Love You” (2018). Mr. Mazur holds a Bachelors degree in Voice Performance from Florida Southern College and a Masters degree in Voice Performance and Conducting from the University of Florida. He completed several semesters of doctoral work in Music Composition and received training in Theology through Concordia University CUEnet.
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
Recently, David Simmons Wood made a splash by writing an article for Early Music America called “Toward a Rebirth of Renaissance Choral Repertoire.” In the article, David drew attention to what I see as a troubling gap in our collective repertoire and programming trends. Namely, the near disappearance of Polyphony from our performances, classrooms and in the textures of new music explored by living composers. Polyphonic writing provides so many building blocks for the theoretical mind of the musician, but also crucial steps in the development of young singers. So, what is driving this atrophy of access to a foundational piece of our art form? It is a complicated problem! So tune in as David and Chris discuss issues related to classroom challenges, the intimidating expert, the lack of exposure, and even the unintended casualty of our attempts to focus on diversifying repertoire and the push to include more living composers. We also go deep into SOLUTIONS. Ways to get started, resources and benefits of polyphony in school and community ensembles.
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
David Simmons Wood (he/him) is the director of K-State’s Early Music Ensembles and is the founder and director of the annual K-State Recorder Workshop. David is also engaged as a faculty member in the Theory, History, and Composition Division.His performing career has included appearances with Dallas Bach Society, The Orchestra of New Spain (Dallas), The New York Baroque Dance Company, The New York State Baroque, Texas Choral Artists, and Fenix de los Ingenios, as well as performances at the Boston, Indianapolis, and Bloomington Early Music Festivals. He was also a founding member of Ishallyn, Ensemble for Early Celtic Music.He holds degrees from Kansas State University (B.M. Voice) and the University of North Texas (M.M. Choral Conducting and Voice), and he studied early music ensemble direction at the Historical Performance Institute at Indiana University’s Jacobs School of Music.
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
His primary emphases have been the sacred vocal music of the 12th to 18th centuries, liturgical reconstruction, and historical pronunciation.David serves as the Programs Director for the Early Music America, the North American service organization for early music and historical performance practice, where he oversees scholarshiips, grants, the annual Young Performers Festival & Emering Artists Showcase, a series of webinars and other video resources, and coordinates social media and email marketing activities.David has also be involved in church music leadership for more than two decades, holdinng the position of Minister of Music at Central Christian Church (DOC), Dallas, TX; and First United Church, Bloomington, IN.
He has also served on the board of the United Church of Christ Musicians Association.David worked in public radio at WFIU, Bloomington, IN. first as an Announcer/Producer (2005-2007), then as Music Director and Program Content Coordinator (2008-2014), and served on the board of the Association of Music Personnel in Public Radio.
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
I am excited to welcome Kenneth Bozeman to the podcast this week to blow your minds! Ken is a voice teacher, author and prominent lecturer presenting all over the world to help teachers of singing understand the importance of the marriage between voice science and the emotive capabilities of the human voice. I have frequently participated in conversations where these two ideas are erroneously set apart from each other. For example, “what’s more important? Vocal technique OR emotional expression or performance?” To me, this has always been a strange question. It is through our understanding of how the voice works, and our ability to pass that along to our students that allows them to have access to the full range of emotional tools that their voice has to offer. In this conversation, Professor Bozeman lays out many useful scientific concepts, exercises and techniques to help us marry the soul to the body so to speak.
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
Kenneth Bozeman, author of Practical Vocal Acoustics and Kinesthetic Voice Pedagogy, served as Professor of Music at Lawrence University in Appleton, Wisconsin for 42 years. He was awarded the Van Lawrence Fellowship by the Voice Foundation in 1994 and is on the editorial boards of the NATS Journal of Singing and the Voice Foundation’s Journal of Voice. He was twice a master teacher for the NATS Intern Program and was inducted into the American Academy of Teachers of Singing in 2019. He was honored to be a keynote speaker for the British Voice Association (2021) and the International Congress of Voice Teachers (2022). His work explores the internal acoustic landscape all voices inhabit, describes the inherent relationships of its components, and seeks ways to motivate efficient singing while respecting both physiologic and acoustic realities as well as effective historic pedagogy. He continues to work by mentoring teachers and young professional singers in acoustic pedagogy and presenting lectures and demonstrations for university voice departments and professional voice organizations.
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
Composer Melissa Dunphy believes that artistic expression is inherently connected to the socio-political landscape of the world. Artists often create work that reflects their personal beliefs, experiences, and values. Even when an artist does not intend for their work to be explicitly political, it is influenced by the social and cultural contexts in which it is created.
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
Art is a powerful medium that can evoke emotions, challenge norms, and inspire change. Artists have historically used their work to address pressing social issues and spark dialogue. Whether through visual arts, literature, music, or performance, artists can shed light on marginalized voices, challenge oppressive systems, or critique political ideologies. By engaging with these topics, artists inherently engage with politics.
In this conversation, I present some limitations to this axiom, revealing that I don’t necessarily agree that ALL art is unavoidably political, but that in general there is a lot of common ground on our positions on this topic. Where do YOU stand on the statement that “Everything we do as artists is inherently political?” Comment on the Choralosophers FB page or anywhere you see this post.
Raised in a Chinese-Australian family, Melissa Dunphy moved to the USA in 2003 and specializes in composing vocal, political, and theatrical music. She first came to national attention when her large-scale work the Gonzales Cantata was featured in The Wall Street Journal and on The Rachel Maddow Show. Dunphy is the recipient of an Opera America Discovery Grant for Alice Tierney, a new opera commission by Oberlin Conservatory. Recent commissions include works for the BBC Singers, VOCES8, and Cantus. Dunphy is also a Barrymore Award-nominated theater composer and Director of Music Composition for the O’Neill National Puppetry Conference. Dunphy has a Ph.D. in composition from the University of Pennsylvania and a B.M. from West Chester University and teaches at Rutgers University. She lives in Philadelphia with her husband, Matt; the Dunphys are co-hosts of the popular podcast The Boghouse about their adventures in Philadelphia colonial archaeology.
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Last week, instead of a typical adult getaway for our anniversary, Beth and I attended the National Conference of Braver Angels. From the Mission Statement:
Americans on opposite sides of the political spectrum don’t only disagree on issues — they increasingly dislike one another. This growing partisan animosity is the crisis of our time and threatens our nation. Braver Angels exists to address this challenge.
Braver Angels Mission
For many who have followed this show over the last 4 and a half years, you might notice that this mission is also the mission of the Choralosophy Podcast. I believe that we in Music Education suffer from this affliction as well as the broader society. In many ways, because of the politically homogenous nature of the Education and Performing Arts communities, we have it WORSE than society at large. We are badly in need of a dose of our own Civic Renewal. To this end, I am proud to say that the Choralosophy Podcast is now a part of the Braver Network of organizations and media outlets willing to stand up for the value of bringing everyone to the table to find common ground. As listeners, YOU can join for FREE as part the Choralosophy community.
I see a VERY obvious role for music ensembles to play in this project. The metaphors should be obvious. How many of our choirs, bands, and orchestras bring together people with a true diversity of world views? How intentional are we about creating an environment where ALL of our singers and players are able to bring their WHOLE selves to class or to rehearsal. Ensemble music is one of the biggest sources of opportunity for large numbers of people to gather IN PERSON to unite on a common project. This project of music requires that they set aside their political projects to focus on what they can accomplish TOGETHER.
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
The Challenge We Face (From Braver Angels Website)
As we separate into groups that increasingly do not even know, or interact with, people of differing opinions, we lose trust in our institutions, eroding the ability to govern ourselves and lowering the caliber of citizenship. This growing trend coarsens public debate, produces policy gridlock, shrinks our capacity for goodwill, and harms our family and personal relationships. Effective self government depends precisely on what this type of polarization destroys. We believe the American Experiment can survive and thrive for every American who contributes to the effort. Where we go from here is up to us. This is the driving force that fuels our mission.
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
Last week, instead of a typical adult getaway for our anniversary, Beth and I attended the National Conference of Braver Angels. From the Mission Statement:
Americans on opposite sides of the political spectrum don’t only disagree on issues — they increasingly dislike one another. This growing partisan animosity is the crisis of our time and threatens our nation. Braver Angels exists to address this challenge.
Braver Angels Mission
For many who have followed this show over the last 4 and a half years, you might notice that this mission is also the mission of the Choralosophy Podcast. I believe that we in Music Education suffer from this affliction as well as the broader society. In many ways, because of the politically homogenous nature of the Education and Performing Arts communities, we have it WORSE than society at large. We are badly in need of a dose of our own Civic Renewal. To this end, I am proud to say that the Choralosophy Podcast is now a part of the Braver Network of organizations and media outlets willing to stand up for the value of bringing everyone to the table to find common ground. As listeners, YOU can join for FREE as part the Choralosophy community.
I see a VERY obvious role for music ensembles to play in this project. The metaphors should be obvious. How many of our choirs, bands, and orchestras bring together people with a true diversity of world views? How intentional are we about creating an environment where ALL of our singers and players are able to bring their WHOLE selves to class or to rehearsal. Ensemble music is one of the biggest sources of opportunity for large numbers of people to gather IN PERSON to unite on a common project. This project of music requires that they set aside their political projects to focus on what they can accomplish TOGETHER.
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
The Challenge We Face (From Braver Angels Website)
As we separate into groups that increasingly do not even know, or interact with, people of differing opinions, we lose trust in our institutions, eroding the ability to govern ourselves and lowering the caliber of citizenship. This growing trend coarsens public debate, produces policy gridlock, shrinks our capacity for goodwill, and harms our family and personal relationships. Effective self government depends precisely on what this type of polarization destroys. We believe the American Experiment can survive and thrive for every American who contributes to the effort. Where we go from here is up to us. This is the driving force that fuels our mission.
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
This week’s episode is a fast paced conversation between myself and members of the “Choralosophers” Facebook page. Choralosophers is one of the most drama free choir director’s groups on the internet, and the desire of the members there to have interesting, and thoughtful conversations about our profession and art form is refreshing and such a great way for me to connect with the Choralosophy audience. I fielded dozens of questions and comments, but the bulk of them were focused on teaching literacy, starting out the school year well, and whether or not some of the “teacher burnout” phenomenon is being MISDIAGNOSED and confused with a concept called “moral injury.” So, tune in and stick around as we chew on some really important topics. And, as always, we welcome YOUR comments and questions in the Choralosophers FB page.
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
The term “moral injury” was first used to describe soldiers’ responses to their actions in war. It represents “perpetrating, failing to prevent, bearing witness to, or learning about acts that transgress deeply held moral beliefs and expectations.” Journalist Diane Silver describes it as “a deep soul wound that pierces a person’s identity, sense of morality, and relationship to society.”
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
Most physicians enter medicine following a calling rather than a career path. They go into the field with a desire to help people. Many approach it with almost religious zeal, enduring lost sleep, lost years of young adulthood, huge opportunity costs, family strain, financial instability, disregard for personal health, and a multitude of other challenges. Each hurdle offers a lesson in endurance in the service of one’s goal which, starting in the third year of medical school, is sharply focused on ensuring the best care for one’s patients. Failing to consistently meet patients’ needs has a profound impact on physician wellbeing — this is the crux of consequent moral injury.
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
In this week’s episode I welcome John Hughes to discuss the things we wish we had known when we were starting out as teachers and conductors. We discuss the cynicism that develops over the years in many of us, as well as the loss of “awe” when hearing choral music and how to get it back! In one part of the conversation we discuss the importance of separating achievement from self-worth as well as the problem with expecting ourselves and our singers to be perfect. We even get into the practical side, regarding rehearsal planning, and other self management strategies.
“I would offer my younger self—full of ambition, hungry for success and respect, and willing to work hard— these gentle words and encourage him to take a breath or two. The “no excuses” approach may be effective, but it may end up making you miserable inside.” From the Preface of “Letters to a Young Conductor” by John C. Hughes
One of the “elephants in the room” within education discussions related to merit, opportunity and access is the wide range and disparity of challenges that teachers face in creating quality programs within their schools. Mark Bailey believes that music, but most importantly the PEOPLE IN music, changes the lives of those around them. And crucially, that music has the ability to change the soul and trajectory of someone’s life. Sadly, in many places where “other problems” seem so much more pressing, music and other Fine Arts programs fall by the wayside. Leading to quality educators not wanting to teach in the schools that need them the most. Mark has been teaching in Title 1 Schools in the US for much of is fifteen year career and brings a comprehensive plan for success and encourages quality educators to test their mettle in these types of schools. We also discuss the role of music competition as both a motivator and a barrier toward equity in education. Tune in for this challenging, but ultimately optimistic conversation.
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
Mr. Mark A. Bailey is proud to be the Director of Choirs at Palo Duro High School of Amarillo ISD in Amarillo, Texas and is a sought after clinician and published researcher. Mr. Bailey’s most recent scholarly work is published in TMEA’s 2018 edition of the Texas Music Educators Research Journal and focuses on poverty and music education. He has recently presented similar research at the annual ACDA International Symposium on Research in Choral Singing. His choirs have recorded and premiered original works for Carl Fischer Music. He is entering his 15th year as a professional music educator. Before coming to Palo Duro, Mr. Bailey was the Director of Choirs at Brazoswood High School. Prior to that, Mr. Bailey was Head of Fine Arts and Director of Choirs at The American School of Kuwait, and Director of Choirs at Atascocita Middle School, La Porte High School, and Houston Christian High School. Choir programs under Mr. Bailey’s direction receive consistent UIL Sweepstakes ratings and top festival honors.
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Mr. Bailey is a graduate of Baylor University (B.M.Ed.) and Texas Tech University (M.M.Ed.) and has studied educational research with Dr. Janice Killian and choral conducting with Dr. Anton Armstrong, Mr. Donald Neuen, Dr. Jeffery Ames, Dr. Donald Bailey, and Dr. Carolyn Cruse. Mr. Bailey has also performed under the direction of world-renowned conductors Paul Salamunovich, Eph Elly, Andre Thomas, and Anton Armstrong. Professional affiliations include Texas Music Educators Association (TMEA), Texas Choral Directors Association (TCDA), American Choral Directors Association (ACDA).
Mr. Bailey is an avid fan of Major League Baseball, and all books Sci-Fi and Mystery. Mr. Bailey’s wife, Hannah, is the Head Librarian at Caprock High School in Amarillo ISD. Mr. and Mrs. Bailey have two young children, Henry and Charlotte. In his spare time, Mr. Bailey enjoys arranging and composing choral works, writing research in education, and playing his favorite game, American Mahjong.
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
In this special Oxford Series episode, I catch Dr. Zanaida Robles for a conversation about her philosophy as a composer, as well as the way all of her musical and personal identities mingle to create a context for her music making. We discuss the compositional process, including the philosophy she holds related to the “end product” for singers. Namely, the importance of the singers exploring their own communities and connections WHILE also exploring the music. We also bounce ideas back and forth related to composers having to be careful about “over refining” a composition, as well as the music world’s attempt to balance goals of equity with the human need for each composer to be valued based on their OWN music and individual expression. You won’t want to miss this conversation!
Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.
Dr. Zanaida Stewart Robles is an award-winning Black American female composer, vocalist, and teacher. She is a fierce advocate for diversity and inclusion in music education and performance. Authentic interpersonal connection and relationship-building are core principles of her teaching and performance methods. Born, raised, and educated in Southern California on the unceeded lands of the Gabrielino-Tongva people, she is in demand as a composer, vocalist, clinician and adjudicator for competitions, festivals, and conferences related to choral and solo vocal music.
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
Now that the pandemic is officially over, I thought it would be a good time to release this audio I captured back in April of 2021. About 30 of us brave Choralosophers gathered in Atlanta back when NO ONE was doing in person conventions to have a mini choral summit. One of those sessions was led by Emmy Burch and myself about the things that spark us to create, and the fears that hold us back from creating them. At the time this conversation occurred, we were all afraid of what was to come. I find this to be a fascinating time capsule to a time a little over two years ago, in which many of us had nothing else to do other than dream.
You will hear thoughts about the gaps we have between our abundance of choral instructors, and the much needed “choral entrepreneur,” that I think is so crucial to the future of our profession. We will also hear from session attendees about their ideas and fears. Tune in!
www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
In this unique episode of Choralosophy, we are taking it into the future that is now with a very special guest. It’s ChatGPT, a cutting-edge artificial intelligence language model that has been trained to understand and communicate with humans. ChatGPT is here to share its insights on topics relevant to choir directors, including innovative ways to use AI to automate music teacher tasks, as well as answer questions about music theory and educational philosophy.
As teachers and music directors, we are constantly looking for new ways to improve our teaching methods and streamline our workflows. With the advancements in artificial intelligence, we now have access to powerful tools that can help us achieve these goals. ChatGPT is at the forefront of this technology and is ready to share its knowledge and expertise with us.
Whether you are excited about new technology, or the type that is typically pretty skeptical, ChatGPT and programs like will be an unavoidable part of the information landscape. So tune in for this primer.
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
Will Shakespeare’s Perfect Choir90’s Will Smith’s Perfect Choir
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
This week, I am excited to have Melanie Trecek-King as our guest. Melanie is a science educator who specializes in teaching science to non-science majors. In addition to her expertise in the field of science, Melanie is passionate about helping individuals improve their thought processes and metacognition. She is making major waves online with her highly recommended websites ThinkingIsPower.com and the Mental Immunity Project.
Today’s episode will explore the value of improving one’s own thought processes and metacognition. We will dive deep into the concepts of metacognition, critical thinking, and the power of self-reflection. Melanie will share her insights and experiences as an educator, and provide practical advice and strategies that can be applied to any discipline or profession.
Whether you’re a musician, teacher, student, or simply someone who wants to improve their cognitive abilities, this episode is for you. So, sit back, relax, and get ready to explore the fascinating world of metacognition with our guest, Melanie Trecek-King.
Melanie Trecek-King is the creator of Thinking Is Power, an online resource that provides critical thinking education to the general public. She is currently an Associate Professor of Biology at Massasoit Community College, where she teaches a general-education science course designed to equip students with empowering critical thinking, information literacy, and science literacy skills. An active speaker and consultant, Trecek-King loves to share her “teach skills, not facts” approach with other science educators, and help schools and organizations meet their goals through better thinking. Trecek-King is also the Education Director for the Mental Immunity Project and CIRCE (Cognitive Immunology Research Collaborative), which aim to advance and apply the science of mental immunity to inoculate minds against misinformation.
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
In this episode, I am thrilled to be joined by guest Jasmine Fripp, a music educator and advocate for cultural sensitivity and anti-racism in music education. Many of us FIRST met Jasmine when she posted a viral letter on Facebook.
We will be discussing the importance of cultural sensitivity within music education, and why it’s crucial for music educators to be aware of the diverse cultural backgrounds of their students AND their colleagues. Jasmine will be sharing her personal experiences and insights on the topic, and will be providing specific examples of how music educators can create a culturally responsive classroom environment.
As music educators, it’s important for us to recognize that music is not a one-size-fits-all experience. Every student brings their own unique cultural background to the classroom, and it’s our job as educators to create an environment that is inclusive and welcoming for all students. So sit back, relax, and join us for this insightful and thought-provoking conversation on “Choralosophy.”
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Jasmine Fripp is a Grammy-nominated music educator and the founder of The Passionate Black Educator, an educational platform that grew out of her passion for empowering educators and providing Black and Brown students with a quality holistic education through music. With seven years of teaching experience in public and charter schools, she has built award-winning choral programs and provided Black and Brown students with various opportunities to excel within and outside the world of music.
As The Passionate Black Educator, Jasmine encourages and empowers music educators of all cultural backgrounds to create student-centered classroom environments that promote anti-racism, culturally responsive pedagogy, and healing-centered teaching. Jasmine’s ability to fuse hip-hop, choral music, student-centered dialogue, and creative teaching strategies have led to her being heavily sought after as a clinician by universities, school districts, and professional organizations Worldwide. Jasmine holds a Bachelor of Music Education with a concentration in Choral Music from Winthrop University and is currently pursuing her master’s degree at Belmont University.
This episode is a pastiche of sorts from several sources. We will start with the introduction from my “Togetherness Activism” live presentation from Colorado in January. In that segment I tell the story of what I have learned about discourse and discussion from starting a show in which I put forward opinions in public for the last four years. Some of those experiences have been gratifying, frustrating, fun and stressful. But in all situations, I have learned SO MUCH, and have actually changed my opinion about many things. One of the things I have learned is how oversimple our understanding of each other can be do to online interactions. During this presentation, I launched a survey to the audience there in person which helped us explore the ways in which we may be diverse BEYOND what is visible. Over the next few weeks, I plugged the survey in choir director groups and got a nice sample of responses. I will discuss those responses here as well. This is a fun and varied discussion that I hope stimulates more discussion!
The problem with “photographic diversity” is that I could give a survey to a group of people who appear to be diverse, but their answers could all be the same. If that’s the case, we lose the studied and time tested value of diversity. When it’s time to have a meeting of the minds, we can’t.
Chris Munce
In some ways, I am thinking of this episode as an important “Where We Are Now” discussion for the beginning of year 5 of Choralosophy Podcasts. So, tune in chew on some ideas!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
The beautiful challenge is that in vocal music ensemble instruction, every instrument is unique. So unique in fact that an instruction that helps one student sound better can make another sound worse. In the instrumental classroom there are MANY technical instructions that can be delivered in a way that applies to EVERY trombone or every drum in the room. They may even be the same manufacturer! We don’t realistically have time in a choral rehearsal to give customized vocal instruction like a voice teacher can in a one on one setting. In this live presentation, turned podcast, Beth and I discuss and provide suggestions for balancing the need for a solid foundation in vocal pedagogy presented by choral directors to their students with the reality that their isn’t enough time in choir rehearsal to give fully individualized instruction. How can we focus on the universal aspects of singing, and speak in the most efficient and clear ways about the voice?
As always, when you see the LIVE logo, video is recommended. Patreon members are able to access all of my live presentation slides and resources.
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
This presentation is the second part, or “why” sequel to Episode 135. In that episode, I lay out processes and procedures to build independent literacy skills in a beginning choir. In this presentation, I expanded into the moral and scientific case for centering literacy in our curricula, as well as support for my contention that there are neurologically correct and incorrect ways to teach the reading of ANY language.
Music is a language, just like any other in a really important sense. “Music reading is a complex process involving at least two distinct skills: the reading skill and the mechanical skill (Wolf 1976). From a cognitive perspective, music reading requires several simultaneous processes including coding of visual information, motor responses and visual-motor integration.” -Gudmunsdottir, 2010
Fluent Music Literacy is VERY rare in education in the Western World. I believe this has two main causes. Many vocal and general music teachers don’t believe that it is a crucial part of the curriculum. Many who DO see it as crucial are not empowered with the best possible systems, processes and skills. Video Recommended! The slides are available on Patreon.
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
This week, welcome BACK to the show Dr. Marques Garrett, who last appeared in episode 17, “Beyond Elijah Rock,” where many of us were introduced to the concept of “non-idiomatic” music of Black composers. In this episode, part of the “Oxford Series,” Marques returns to celebrate his latest contribution to the growing canon of music by Black composers from around the world. Just last week, Oxford Press published his Anthology, “The Oxford Book of Choral Music by Black Composers.” Tune in to hear us pick up where that conversation left off by discussing the importance of a term like “non-idiomatic” in teaching people that Black musicians cannot be accurate boxed in to genres like spirituals, jazz and gospel.
In addition to discussing the genesis of this project and its contents, we also have a candid conversation LIVE in my home studio about the state of progress in incorporating music of non-white composers into the expanded canon, the danger of possible overcorrection that comes from our continued struggle with terminology that conflates concepts of race with culture, language and nationality, and the growing and profound legacy in choral music of HBCU alumni and much more. Don’t miss it. Video recommended!
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
A Virginia native, Marques L. A. Garrett is an Assistant Professor of Music in Choral Activities at the University of Nebraska–Lincoln in the Glenn Korff School of Music. His responsibilities include conducting the auditioned Chamber Singers and non-auditioned University Chorale (soprano-alto) as well as teaching graduate choral literature. Before earning his PhD in Music Education (Choral Conducting) at Florida State University, he was the Director of Choral Activities at Cheyney University of Pennsylvania. Additionally, he holds an MM from the University of North Carolina at Greensboro and a BA from Hampton University.
An active conductor, Dr. Garrett is the artistic director of the Omaha Symphonic Chorus and founding conductor of the Nebraska Festival Singers. He serves as a guest conductor or clinician with school, church, community, and festival/honor choirs throughout the country. In addition to his conducting classes at UNL, he leads conducting workshops at other universities and conferences. His formal conducting studies were with Dr. André J. Thomas, Dr. Carole J. Ott, Dr. Carl G. Harris, Jr., and Mr. Royzell Dillard.
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A versatile voice that performs both as a baritone and countertenor, Dr. Garrett has sung with several community, church, and university groups as both a chorister and soloist. He was the baritone soloist for the Germantown Concert Chorus’s performance of Haydn’s Missa in Angustiis. His premiere as a countertenor in Dan Forrest’s Jubilate Deo served as the work’s European premiere in Limerick, Ireland. Additionally, he performed the role of Lil Lud in Bernstein’s White House Cantata with the Tallahassee Community Chorus. Currently, he sings with First-Plymouth Congregational Church, Festival Singers of Florida, and the Jason Max Ferdinand Singers.
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Dr. Garrett is an avid composer of choral and solo-vocal music whose compositions have been performed to acclaim by high school all-state, collegiate, and professional choirs including Seraphic Fire and the Oakwood University Aeolians. His music is available through more than ten publishers. He has been commissioned by organizations such as Harvard University and Westminster Choir College. Among his latest commissions is his largest work to date, Dreamland: Tulsa 1921. This collaborative work with librettist Sandra Seaton for tenor-bass chorus, soloists, and chamber orchestra was commissioned by the Turtle Creek Chorale to tell the story of the Greenwood district of Tulsa, Oklahoma.
As a researcher, his most advantageous topic is the non-idiomatic choral music of Black composers. His lectures at state and regional conferences of the American Choral Directors Association and at other local and national venues afford him the opportunity to showcase this underrepresented area of music. He serves as co-editor of the “Out from the Shadows” Series with Gentry Publications.
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Dr. Garrett holds membership in the American Choral Directors Association; American Society of Composers, Authors, and Publishers; National Association of Negro Musicians; National Collegiate Choral Organization; and Pi Kappa Lambda. For more information, visit http://www.mlagmusic.com.
In part two of my conversation with ACDA Executive Director Robyn Hilger, we pick up right where we left off last week in Episode 130. I begin by asking Robyn about the ACDA national conventions session line up. We discuss what is there, and what is missing. We move from there into a deep discussion of ACDA’s Diversity Initiatives and how we would measure success or progress. At what point does the intersectionality of our diverse membership simply become “unique individuals” with unique wants and needs? How does a large membership organization respond to this challenge? For example, a recent region conference had all male conductors on the slate. What no one knows is whether or not we had a diverse pool to choose from. This matters because you have to understand the problems in order to solve them.
We discuss this, and the idea that I call “Trickle Down Social Justice.” Are we focused on composers on the program or who conducts at conventions? Or are we focused on the lack of equity in music training of fourth graders? Could this be bias toward what is visible?
There have been times in our history where the opinion of the Executive has really set the trajectory. My job as the executive is to activate the membership. ACDA is not Robyn Hilger. That would be a mistake.
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Robyn Hilger is beginning her second year as executive director of the American Choral Directors Association. A native Oklahoman, Hilger is a classically trained clarinetist. She graduated with high honors in 1999 from Oklahoma City University with a bachelor’s degree in instrumental music education. She earned her master’s degree in school administration from the University of Central Oklahoma and is currently pursuing her doctorate of education in administration and leadership at Southern Nazarene University. She is a National Board-Certified Teacher in early adolescence/young adult music with specialization in band.
The overarching theme of her work is meeting the identified needs of historically marginalized and under-resourced communities. Robyn began her career as the band and strings teacher at Belle Isle Enterprise Middle School, in Oklahoma’s largest urban school district, where she created the fine arts department. In 2006, she was recognized as Oklahoma’s State Teacher of the Year and she served as Oklahoma’s Ambassador of Teaching, traveling more than 20,000 miles delivering some 200 workshops and speeches focused on teaching, advocacy, and education policy.
In 2007, she joined the staff of the Foundation for Oklahoma City Public Schools as the chief programs officer. In 2013, she supported the launch of El Sistema Oklahoma as a volunteer. In 2014, she was asked to join the organization as the executive director. El Sistema Oklahoma facilitates the development of empowered youth who use music to make strong positive change in their lives, their communities, and the world. El Sistema Oklahoma operates every day after-school and is completely free for participating families.
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
In 2017, she was named New Fundraiser of the Year by the Association of Fundraising Professionals Oklahoma City Chapter. Robyn also serves on the advisory board for the Oklahoma Youth Orchestras and is a board member for Oklahoma Youth Sing! (formerly known as the Norman Children’s Chorus).
Robyn is a connector of people, organizations, and opportunities. She lives in Oklahoma City with her husband Stephen and their three cats.
To get in touch with Robyn, you can add her on Facebook (@robynhilger or @robynhilgeracda) or email her at executivedirector@acda.org.
The American Choral Directors Association is the largest organization of choral musicians in the world. ACDA sets the tone and direction of choral music in the US and has a major impact on the global choral music community as well. The newly appointed Executive Director of the organization, Robyn Hilger seeks to usher in a new era for the organization, hopefully leading to a bright future for Choral Music. It is my belief that the needs of the community of choral musicians have changed since ACDA’s founding. I also believe that ACDA has a bully pulpit in communicating about and advocating for the direction of the profession. This makes their decisions intimately woven into the lives and livelihoods of their members. In this episode AND the next one, you will hear me discuss the past present and future of choral music in America and how ACDA will help to shape it. I drove all the way from KC to OKC to record in person, which I think was very helpful.
In the first part of this two part interview, we discuss the “purpose” or “reason for being of ACDA,” how changes are made, how conventions are planned, and the importance of member engagement and feedback and much more.
Robyn Hilger is beginning her second year as executive director of the American Choral Directors Association. A native Oklahoman, Hilger is a classically trained clarinetist. She graduated with high honors in 1999 from Oklahoma City University with a bachelor’s degree in instrumental music education. She earned her master’s degree in school administration from the University of Central Oklahoma and is currently pursuing her doctorate of education in administration and leadership at Southern Nazarene University. She is a National Board-Certified Teacher in early adolescence/young adult music with specialization in band.
The overarching theme of her work is meeting the identified needs of historically marginalized and under-resourced communities. Robyn began her career as the band and strings teacher at Belle Isle Enterprise Middle School, in Oklahoma’s largest urban school district, where she created the fine arts department. In 2006, she was recognized as Oklahoma’s State Teacher of the Year and she served as Oklahoma’s Ambassador of Teaching, traveling more than 20,000 miles delivering some 200 workshops and speeches focused on teaching, advocacy, and education policy.
In 2007, she joined the staff of the Foundation for Oklahoma City Public Schools as the chief programs officer. In 2013, she supported the launch of El Sistema Oklahoma as a volunteer. In 2014, she was asked to join the organization as the executive director. El Sistema Oklahoma facilitates the development of empowered youth who use music to make strong positive change in their lives, their communities, and the world. El Sistema Oklahoma operates every day after-school and is completely free for participating families.
In 2017, she was named New Fundraiser of the Year by the Association of Fundraising Professionals Oklahoma City Chapter. Robyn also serves on the advisory board for the Oklahoma Youth Orchestras and is a board member for Oklahoma Youth Sing! (formerly known as the Norman Children’s Chorus).
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
Robyn is a connector of people, organizations, and opportunities. She lives in Oklahoma City with her husband Stephen and their three cats.
To get in touch with Robyn, you can add her on Facebook (@robynhilger or @robynhilgeracda) or email her at executivedirector@acda.org.
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
The Music Department is an alternate universe where pupils are often unrecognizable from who they are outside of it. The shy become confident. The agitated become calm. The lonely become included. The quiet become heard. And the lost become found. Music reveals the real child.
Vaughan Fleischfresser
You probably recognize this colleague just by looking at him due to his MASSIVE quantity of viral music education memes. I kept seeing them in my feed on a daily basis and have shared many myself. What I found intriguing was the talent he seems to have in the ability to distill ideas and present them in away that is both thorough AND concise. Ideas that the world NEEDS to hear about music education and its importance. In this episode, we learn about Vaughan, his professional life as an educator in the UK and Australia, and his approach to music education advocacy. You will NOT want to miss this conversation that is sure to have you excited about the future of music ed.
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach, Paul Rudoi and MANY more.
Visit stageright.com for top of the line, affordable staging options like risers, acoustical shells and more!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com
Originally from Australia and now residing in Scotland, Vaughan has a broad range of teaching experience, ranging from Primary through to University level, Instrumental through to Community Music, and everywhere in between. Vaughan studied both Music and Education at the Queensland University of Technology in Brisbane (Australia), where he studied under Dr Ralph Hultgren. This was then followed by a Master of Music Education, majoring in Instrumental and Vocal Education, at VanderCook College of Music in Chicago (USA), where he studied under Dr Charles Menghini and Dr Robert Sinclair. He has worked extensively throughout Australia, Scotland, and North America, in positions such as Teacher of Music, Director of Bands, and Teaching Fellow of Music Education. Vaughan currently teaches music at the Edinburgh Academy in Scotland, having most recently been the Teaching Fellow of Music Education and the University of Edinburgh. In addition to this, he is the Conductor of the Peebles Concert Band and works extensively with Community Music groups throughout Scotland. Away from the classroom and podium, Vaughan is in demand as a clinician, adjudicator, composer, and educational speaker, having spoken at conferences in Scotland, England, South Africa, and Canada.
LIVE conventions are back! I am so excited, because this online thing does not do it for me. So, I was itching to talk to people! So, I traveled with a portable kit to get the opinions and stories of people at the the convention. It was great to talk to college professors, band directors, and choir directors on the convention floor!
Special thanks to all of the guests! Kurtis Heinrich, Kimbery Guilford, Caleb Zustiak, Ian Colemen, Christopher Boemler, Skip Vandelicht, David Schatz, Tom Higgins and Jane Hicklin.
One of the foundational principles of this show is that we, as humans AND as colleagues don’t have to agree about everything. In fact I will take it a step further: we NEED disagreement and dialogue in order to learn and grow. This episode is based on that principle. I recently came across Kirsten Oberoi during a Facebook disagreement and thought it would make a great podcast conversation. The disagreement centered around our philosophies related to choir auditions and what it means for a program to be “people centered.”
There is room in the choral community for all kinds of philosophies.
Kirsten made a splash recently with her new podcast Choral Connectivity and her blog called “No Auditions Ever!” She is making a valuable contribution to the conversation, but I only agreed with about 82.7% of it, so I thought we could chat to hash out some of the disagreements and also find where our common ground lies.
Kirsten Oberoi is the Founding Artistic Director of the South Shore Children’s Chorus based out of Quincy, MA – her hometown. Kirsten taught public school for several years – high school in California for two years and middle school in Massachusetts for 5 years. She is now full-time in the non-profit music world at SSCC, as well as the General Manager for the Greater Boston Choral Consortium. Kirsten strongly believes in the mission of people-first music making, and shares this philosophy on her podcast Choral Connectivity.
