Episode 201: Music is Movement with Mark Changizi

The scientific consensus is that our ability to understand human speech has evolved over hundreds of thousands of years. After all, there are whole portions of the brain devoted to human speech. We learn to understand speech before we can even walk, and can seamlessly absorb enormous amounts of information simply by hearing it. Surely we evolved this capability over thousands of generations… Or did we?

Cognitive scientist, Mark Changizi joins me this week for a fascinating exploration into the hardware and software that allows humans to understand, interpret and make sense out of music. In his book “Harnessed,” he makes the case that human speech has been very specifically “designed” to harness the sounds of nature, sounds we’ve evolved over millions of years to readily understand. Long before humans evolved, mammals have learned to interpret the sounds of nature to understand both threats and opportunities. Our speech—regardless of language—is very clearly based on the sounds of nature.

Even more fascinating, Changizi shows that music itself is based on natural sounds. Music—seemingly one of the most human of inventions—is literally built on sounds and patterns of sound that have existed since the beginning of time.

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Tune in, and have your thinking stimulated and challenged. Then, weigh in yourself on Facebook in the Choralosophers group or over on choralosophy.substack.com.

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MARK CHANGIZI is a theorist aiming to grasp the ultimate foundations underlying why we think, feel and see as we do. His research focuses on “why” questions, and he has made important discoveries such as on why we see in color, why we see illusions, why we have forward-facing eyes, why the brain is structured as it is, why animals have as many limbs and fingers as they do, why the dictionary is organized as it is, why fingers get pruney when wet, where emotional expressions came from, and how we acquired writing, language and music.

He attended the Thomas Jefferson High School for Science and Technology, and then went on to the University of Virginia for a degree in physics and mathematics, and to the University of Maryland for a PhD in math. In 2002 he won a prestigious Sloan-Swartz Fellowship in Theoretical Neurobiology at Caltech, and in 2007 he became an assistant professor in the Department of Cognitive Science at Rensselaer Polytechnic Institute. In 2010 he took the post of Director of Human Cognition at a new research institute called 2ai Labs, and also co-founded VINO Optics which builds proprietary vein-enhancing glasses for medical personnel. He consults out of his Human Factory Lab.

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He has more than three dozen scientific journal articles, covered in thousands of newspaper and magazine articles. He regularly keynotes at both scientific events and at art galleries and museums, and has appeared on many television shows, including regular appearances on Discovery Channel’s Head Games and National Geographic’s Brain Games. TED has featured him in three areas of his research, namely illusionscolor vision, and pruney fingers. He curated an exhibition and co-authored a (fourth) book — ON THE ORIGIN OF ART (2016), by Steven Pinker, Geoffrey Miller, Brian Boyd & Mark Changizi — at MONA museum in Tasmania in 2016 illustrating his “nature-harnessing” theory on the origins of art and language.

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He has written three other books on his research, THE BRAIN FROM 25,000 FEET (2003), THE VISION rEVOLUTION (2009) and HARNESSED: How Language and Music Mimicked Nature and Transformed Ape to Man (2011). He is working on his fifth non-fiction book, this one on emotions and facial expressions, called EXPRESSLY HUMAN: Decoding the Language of Emotions. He has also written a novel, called HUMAN 3.0, about what’s next, after humans, extending his nature-harnessing principles into the future.

Episode 155: What I Wish I Knew As A Young Conductor with John C. Hughes

In this week’s episode I welcome John Hughes to discuss the things we wish we had known when we were starting out as teachers and conductors. We discuss the cynicism that develops over the years in many of us, as well as the loss of “awe” when hearing choral music and how to get it back! In one part of the conversation we discuss the importance of separating achievement from self-worth as well as the problem with expecting ourselves and our singers to be perfect. We even get into the practical side, regarding rehearsal planning, and other self management strategies.

“I would offer my younger self—full of ambition,
hungry for success and respect, and willing to work hard—
these gentle words and encourage him to take a breath or
two. The “no excuses” approach may be effective, but it
may end up making you miserable inside.” From the Preface of “Letters to a Young Conductor” by John C. Hughes

Episode 109: Doing the Business of Choir with Alex Gartner

Do you think of yourself as a “choir leading business person?” I am going to guess that most of you don’t, and I’m going to suggest that maybe you should. There are aspects of leading any type of choral program that require business acumen in order to excel. This makes many of us bristle as artists because we love to stay wrapped up in the emotional and in the art. But the reality is that we often have to call upon skills that our training programs didn’t prepare us with. They didn’t teach us tax law, or marketing or accounting, but we have to develop these skills or our programs fall apart. So I had a conversation with Alex Gartner about that very thing. Tune in as we discuss the business of doing choir.

Alex Gartner

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Episode 109
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Alex Gartner serves as the Artistic & Executive Director of the Pensacola Children’s Chorus in Pensacola, FL. Under his leadership, the organization has grown to impact nearly 25,000 individuals throughout Northwest Florida, including over 5,000 youth, through innovative programs, performances, and organizational practices. He also serves the American Choral Directors Association as the Children’s and Youth R&R Coordinator for the Southern Region, is an all-state coordinator for the Florida Music Education Association, and previously served on the national arts education council with Americans for the Arts. An active clinician, guest conductor, and composer, his arrangements are available through many reputable publishers. Check out his latest work on social media or at www.AlexGartner.com.

Episode 298: You Can’t Please Everyone All the Time with Russell Scott

There is nothing better than seeing development—watching someone start at the bottom level and, through time and dedication, step onto a stage and realize what they are truly capable of. No matter what your choir’s starting point, it is GROWTH that keeps the members coming back. Welcome to a special joint-presentation episode where cross-continental perspective…

Episode 296: How to Make a Musician with Allison Wilkinson

Humans are a musical species. ALL humans. But, many move through their music education without realizing it. We are putting the most vulnerable part of the brain in the hands of overworked people. And that is a problem. Emotionally Intelligent Music Instruction can be part of the solution. This week’s guest dropped a concept that…