Episode 28: Can Pitches be Perfect?

This is a FASCINATING discussion with Donald Brinegar, author of the recently published “Pitch Perfect: a Theory and Practice of Choral Intonation.” Donald and I discuss the sometimes misunderstood concepts related to intonation and what makes something “in tune” or “out of tune.” Is it possible that we our education related to this topic has been lacking? I think it has been lacking for many, which is why I think this episode is so important. The conversation runs mostly along two tracks. The common misconceptions surrounding the mathematics of intonation as well as practical ways to bring concepts of intonation into rehearsals with singers of all levels.

Episode 28

Find “Pitch Perfect” by Donald Brinegar on Amazon! or on his website.

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Donald Brinegar is a conductor, tenor soloist, voice instructor, educator and master class clinician. Professor Emeritus of Music at Pasadena City College, Brinegar directed the Choral Studies program at PCC for 36 years. Brinegar also conducts the Donald Brinegar Singers, a community choral ensemble in Pasadena, California, Director of Choruses for the Pasadena Symphony and POPS, . During the summers he co-directs the Cal State Los Angeles masters program in choral conducting.

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He has an extensive background as a performer both as a soloist and a conductor having performed throughout the United States, Japan, Europe, Australia, New Zealand, Mexico, and Canada. Brinegar has performed as a featured soloist with Robert Shaw, Helmuth Rilling, Roger Wagner, Gerard Swartz, Murray Sidlin, Howard Swan, Charles Hirt, Rod Eichenberger, William Hall, Marvin Hamlisch, Michael Feinstein, and with numerous music festivals, orchestras and opera associations. He has collaborated artistically with Henry Mancini, Barry Manilow, The Los Angeles Philharmonic, John Delancie, and the Chieftains. His choirs have given five performances for the American Choral Directors Association Conferences, California Music Educators (MENC), Choral Conductors Guild, and have performed in Carnegie Hall, the Los Angeles Music Center, and the Hollywood Bowl. In the Fall of 2017,  Brinegar was recognized by the Pasadena Symphony as their Artist of the Year.

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The Donald Brinegar Singers, choral ensemble, was founded in the Fall of 1997 as an ensemble of former students and colleagues of Professor Brinegar. Their first concert was given in November of 1997. Their second performance was the premiere of Lauridsen’s organ edition of Lux Aeterna, accompanied by organist James Buonemani. The ensemble presented music of the holiday season and was then invited to perform at The ACDA Western Division Convention in Los Angeles, 2000. Shortly following the convention appearance, the Singers recorded Ubi caritas et amor and Madrigali Six Fire-Songs: for Lauridsen’s compact disc, Northwest Journey. The Singers performed the Chansons des Roses with Lauridsen accompanying at the San Antonio, Texas, ACDA National Conference. The Singers followed with two more performances of Lauridsen’s music in Las Vegas, 2004 ACDA Western Division Conference, and the premiere of Nocturnes (The Brock Memorial Convention Commission) 2005, Los Angeles ACDA National Convention.

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Episode 27: Reboot, Restart and Revitalize

Seven important concepts to master to keep your choir moving forward for an ENTIRE academic year.

Sometimes we fall into ruts. Sometimes the singers do… Ultimately, both scenarios are bad and are OUR fault as the director. I have had wildly successful school years and seasons with churches and pro choir. And some that fell flat… In this episode I draw on that experience to come up with list of winning strategies synthesized from my best years on the podium. The list below is NOT ranked in any type of way.

Episode 27
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  1. Keep sight reading every day. If they’re bored, then you’re boring them.
  2. Raise the bar. Once a choir thinks they are “good” they will stop working.
  3. Group building is not just for the first day of school. Do more.
  4. Set goals. Communicate them publicly. Don’t assume they know why.
  5. Create engaging rehearsals by BEING engaging. (Hint: learn to be yourself!)
  6. Interpret text. A lot. If you don’t know how, then ask somebody.
  7. If the morale or rehearsal etiquette is not what you want it to be, it’s time to shock the system.
Now, Choralosophy listeners can use this tool in their classrooms and studios at a 10% discount by going to www.vocevista.com/choralosophy . Chose the version that is right for you enter “Choralosophy” at checkout!
Visit www.ryanmain.com for PDF site licenses of some GREAT arrangements and compositions. Enter Choralosophy at checkout to get 10% off!

Tune in to this episode to hear the full explanations of each concept!

Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach,
Paul Rudoi and MANY more.

And don’t forget, the show is now on PATREON! Subscribe and receive Patron only content for as little as 3 bucks a month!