Episode 186: It’s Time for Anti-Racism with Love, with Chloé Valdary

Activist, author Chloé Valdary is a diversity and anti-racism trainer with a refreshingly loving approach. This week, on Valentine’s Day, I am encouraging us to approach our ensembles, our classes, our colleagues and our neighbors with Agape.

In music education, we have a very popular, and important euphemism: “I want my students to see themselves in the music, or in the ensembles I have them watch” based on the finding people who look like them. And this representation does matter! But what I don’t hear enough is, “I want my students to learn to see themselves in everyone, and in ALL of the music we learn.” This introspective approach is echoed in Chloé’s fascinating brand of Anti-Racism.

“I imagine one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, they will be forced to deal with pain.”

James Baldwin 

One of the core premises that Chloé likes to communicate is that if you can’t apply the principle James Baldwin describes here to YOURSELF, then it will not have any value in healing the rifts between us. If you see it only as a principle that applies to others, we will never enter important conversations as equals. She trains, teaches and advocates for a type of conversation about diversity in schools, groups and organizations that starts with introspection and search for our common humanity.

Be sure to weigh in on the Choralosophers facebook page, on Substack or any posts related to this episode! Be sure to check out DOJO and get the trainings for individuals!


Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.

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For future rehearsal clips, find me on TikTok, Insta and FB!

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From Theory of Enchantment: One particular day, in a religious studies class, my professor, an agnostic, shows us a documentary called Jesus Camp. It follows a group of evangelical Christians at their summer camp for kids. The subjects are not portrayed in a positive light.

Suddenly, a student in our class starts to rail against the Christians in the movie, and I peg my agnostic professor as a person who won’t mind. How wrong I am. It becomes a shouting match between her and the student. My professor vigorously defends the Christians in the documentary, saying we all gravitate toward things that give us a feeling of meaning and significance, belonging, and community. 
Then she says,

She defies the agnostic box I placed her in. The frameworks that I am using to find meaning in the world are no longer sufficient. I am desperate for one that is. Slowly but surely, I realize I am outgrowing
my religion.

I grew up in New Orleans with four sisters. We were an extremely atypical Christian family, and my parents deeply inculcated a strict religious philosophy. We didn’t observe Christian holidays, we observed Jewish holidays. Church was on Saturday instead of Sunday, and Rosh Hashanah and Yom Kippur were celebrated instead of Christmas and Easter.

RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!

From my mother, a homemaker, I absorbed a deep inquisitiveness about human beings. From my dad, a banker, I gained a reverence for the numinous and the transcendent. But I also came out of childhood dogmatic in certain ways.

I went to a performing arts high school then to the University of New Orleans, where I became an activist.

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Episode 185: Bringing the Wisdom of Hebrew Texts into the Choral Canon with Nicholas Weininger

Nicholas Weininger, software engineer and composer, joins me this week to discuss the power of the Hebrew language in choral settings. Both in terms of its sonority and aspects of diction, but also in the contributions many ancient Hebrew texts can make to our philosophical discourses to this day.

We discuss the difficulties finding choral music with rich Hebrew text, we also analyze a passage from Ecclesiastes that is the basis of a new Cantata that Nicholas composed after the pandemic. The discussion then moves to the coincidence of the new cantata’s birth into the world during a time of surging anti-Semitism and post pandemic searches for accountability and reflection. This was a very thought provoking discussion, and we hope you will join us!

Be sure to weigh in on the Choralosophers facebook page, on Substack or any posts related to this episode!


Choralosophy presented by Ludus. Visit Ludus.com/choralosophy for the cutting edge in fine arts ticketing and marketing solutions.

Be Sure to Find Choralosophy on TikTok!

@choralosophypodca

For future rehearsal clips, find me on TikTok, Insta and FB!

www.sightreadingfactory.com is the best literacy tool on the market today. Enter Choralosophy at checkout to get 10% off memberships for you AND your students!
Enter Choralosophy at Checkout for a 5% discount when you shop for folders, robes and other gear for your choir program! www.mymusicfolders.com and www.mychoirrobes.com

Nicholas Weininger (b. 1978) is a composer, singer, software engineering manager, and leadership coach. Nick’s works have been performed by the International Orange Chorale of San Francisco, Sacred and Profane, Choral Chameleon, Empire City Men’s Chorus, Coro Mundi, West Genesee High School Chorale, and the Germantown Friends School Concert Choir, among others. In March 2023, the Empire City Men’s Chorus premiered Nick’s cantata Hakol Hevel (All is Mere Breath) for TTBB chorus, orchestra, and soloists; the album of the same name, from Navona Records, is available on all major streaming services. Nick’s works are published through Personage Press and ArrangeMe.

Nick has sung with the International Orange Chorale of San Francisco (IOCSF) since 2007. He began composing for IOCSF in 2011 and in 2015-2016 served as IOCSF’s inaugural Composer-in-Residence; the ensemble has performed eleven of his works in all and recorded four on the albums The Unknown Region and Hope in Times of Disquiet. Nick’s 2016 setting of “As kingfishers catch fire”, commissioned by IOCSF, was awarded second prize in the Ithaca College Choral Composition Competition and was a finalist for the 2020 American Prize. Nick’s singing experience also includes stints with the San Francisco Symphony Chorus, Festival Napa Valley Volti Chorale, and Coro Mundi.

In Nick’s non-musical life, he has spent most of his career managing teams of software engineers and mentoring software engineering leaders, notably at Google from 2005 to 2020. He received a PhD in pure mathematics from Rutgers University in 2005. Initially an autodidact composer, Nick took up private composition study with Joseph Stillwell in 2014 and now studies with Vince Peterson. Nick lives in San Francisco with his wife and son.

RyanMain.com is now expanding to a family of composers! Visit endeavormusicpublishing.com and of course, enter Choralosophy at checkout for a 10% discount!
Receive 10% Discount on your orders at http://www.graphitepublishing.com where you will find the works of Jocelyn Hagen, Eric Barnum, Timothy C. Takach,
Paul Rudoi and MANY more.