In this episode, I have the privilege of chatting with Charles Anthony Silvestri, noted lyricist, about the artistic magic that is possible when music and text are fused. He believes that this intersection is what makes our beloved art form special, and I whole heartedly agree. I pick his brain about his process from idea to final project for a new piece. We talk about his new endeavors as a composer of notes and not just lyrics, as well as some witty banter about Eric Whitacre’s early years and his role in bringing the choral art form into the 21st Century.
Poet, composer, and speaker Charles Anthony Silvestri has worked with composers from all over the world to create texts tailor-made for their commissions and specific artistic needs. He has provided custom poetry, opera libretti, program notes and other writing for composers including Eric Whitacre, Ola Gjeilo, Kim Arnesen, and Dan Forrest, and for ensembles ranging from high schools to the Houston Grand Opera, from the King’s Singers to the San Francisco Gay Men’s Chorus, from Westminster Choir College to Westminster Abbey. As a clinician Silvestri speaks to choirs, classes, and concert audiences about his works, the creative process, the marriage of words and music, and about his collaborative relationships with composers. He is the author of three books, including A Silver Thread (GIA 2019), a retrospective of almost 20 years of his lyric poetry. He teaches Ancient and Medieval History at Washburn University, and lives in Lawrence, Kansas.
Find more about Tony as well as links to his published poetry books mentioned on the website at: